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When Bernstein conducted Stravinsky, modern music came alive


When Bernstein conducted Stravinsky, modern music came alive
The composer Igor Stravinsky in New York, in 1964. A box set of recordings pairs Stravinsky, 50 years after his death, with the conductor Leonard Bernstein, who championed his works. Sam Falk/The New York Times.
by Anthony Tommasini
(NYT NEWS SERVICE)
.- On April 6, 1971, a balmy spring day in New Haven, Connecticut, I arrived at the main building of the Yale School of Music a little late for a piano lesson. But I stopped at the front door. Someone had tacked up a small white note card: “Igor Stravinsky died today.”
Those four words staggered me. Stravinsky had been central to the entire span of 20th-century music thus far. His “Rite of Spring,” from 1913, had been part of the creation of modernism — what seemed like ancient history. Yet in an analysis class that very semester in 1971, we were studying the score of what was still quite a new piece — his extraordinary “Requiem Canticles,” fr ....

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SA composer makes history with writing Xhosa folklore songs for Harvard Glee Club


SA composer makes history with writing Xhosa folklore songs for Harvard Glee Club
By Mthuthuzeli Ntseku
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Cape Town - A 47-year-old Khayelitsha-based composer has made history by being the first black South African to be commissioned by Harvard University to write folklore songs in IsiXhosa for its male Glee Club.
Bongani Magatyana from Site C said he was approached by the institution last year after he was introduced to the director of choral activities at the university, Andrew Clark, and later performed his composition Khaya Lami.
Magatyana said he owed his experience to the Siyaya Ensemble at JL Zwane Centre in Gugulethu, where he wrote songs about HIV/Aids in multiple genres in 2006. ....

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Harvard extracurriculars cope despite COVID-19


Though WHRB had to initiate its newest members over Zoom, each student picked a traditional five-character radio name.
Tune into WHRB, Harvard’s student-run radio station, just after midnight on a Sunday and you’ll hear the thumping bass of hip-hop, the staccato pulses of rap, and the soulful cadences of R&B. These beats, part of WHRB’s black music department, The Darker Side, comprise just a few hours of the station’s 24/7 lineup, which undergraduate DJs have typically broadcast live from its cozy studio in the basement of Pennypacker Hall.
But since COVID-19 closed campus, those DJs have had to pre-record programs and broadcast them remotely. They had the necessary infrastructure used during winter recess, for example but there was only so much pre-produced content already available, explained program director Katharine A.K. Courtemanche ’21. “So the question was: how are we going to continue to make, produce, and record remotely really high-quality air for s ....

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