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As Elaine May Turns 89, It's Time to Give the Filmmaking Giant the Credit She Deserves
Brent Lang, provided by
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Nevertheless, she persisted.
Elaine May, who turns 89 on Wednesday, has enjoyed a late career resurgence, earning a Tony Award for her work in Kenneth Lonergan’s play “The Waverly Gallery” and directing an acclaimed documentary on her friend and frequent collaborator Mike Nichols for American Masters. Even “Ishtar,” her much derided 1987 flop, clawed its way into the black by the early aughts, as emails from the Sony hack revealed.
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And yet, it’s impossible not to feel as though movie lovers and comedy fans have been robbed of decades of great work because the entertainment industry never quite knew what to make of May. Her struggles to remain true to her unbending artistic compass in a bottom-line-driven industry derailed her directing ambitions. May’s resume is slender, consisting of just four features, but what’s there is choice. There are three masterworks, “Mikey and Nicky,” “The Heartbreak Kid” and “A New Leaf,” and one unfairly maligned misstep in “Ishtar” that has its moments (a sublime bit with a blind camel ranks with the best of the Marx Brothers).