Lighting the Unreal: Robbie Ryan on the Mad World of Yorgos

It could be said a cinematographer's greatest attribute is flexibility. Loathe though I am attributing much credence to Twitter prompts, it's fairly often that people ask for the strangest cinematographer CV and engender amusement, sometimes outright shock at the range of a career. Robbie Ryan offers a great example: the man who shoots Andrea Arnold,

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