click to enlarge Rebecca Lyon This time last year, the film-loving farceur behind the Music Box Theatre's beloved Twitter account—now restored to its former glory after a bogus several-week suspension due to supposed copyright infringement—replied to a tweet from a film fan in a conversation about Christopher Nolan: "Keep your fingers crossed that this is all over in time for TENET in July!" July came around, the pandemic was very much not over, and the response to Tenet, which Warner Brothers released to theaters despite hesitancy among exhibitors and audiences alike, was lukewarm in all respects. Moviegoers were wary about the prospect, and, if they did journey out to see it, were largely disappointed by what they found: a film that was too loud, too confusing, and, perhaps most frustratingly, was being viewed in an atmosphere devoid of the usual joviality that surrounds such summer behemoths, good or bad.