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Martin Scorsese ranks among the greatest directors of the last half-century, with no mountains left to climb. Yet he appears to remain in denial about changes in the movie business that he loves, and the fact that with his last two films, “The Irishman” and “Killers of the Flower Moon,” he has graduated to directing what are, for all intents and purposes, limited series for streaming.
The European Union has told Meta it has a week to explain in greater detail how it is fighting the spread of illegal content and disinformation on its Facebook and Instagram platforms following the attacks across Israel by Hamas.
The streaming giant said in its third-quarter earnings report that its premium ad-free plan in the United States will increase by $3 per month, to $22.99, starting Wednesday.
When Snapchat announced last month that it had reached 5 million paying subscribers for its Snapchat+ service, it seemed like a stunning achievement. The milestone marked the halfway point to the 10 million subscriber number that CEO Evan Spiegel had just months earlier identified as a “medium-term” goal.
There’s a difference between “long” and “epic,” although in movie terms the two frequently get confused. Martin Scorsese delivers the former but not the latter with “Killers of the Flower Moon,” his second consecutive three-and-a-half-hour movie derived from a true story and underwritten by a prestige-hungry streaming service.