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Surrealist writers push the boundaries of language and plot, taking an oblique approach to the quotidian in order to hint at higher potentials for reality. It’s within this realm that Sarah Rose Etter plays, employing surrealism to unveil deeper revelations and risks in her writing.
The Forever Mag cofounder discusses her debut collection of short stories, disavowing autofiction, and loving the books of old white men.
Tobias Carroll recommends new and exciting books in translation from Sudan, Belgium, Haiti, France, and South Korea.
Suggested reading from critics and editors at The New York Times.