Read Next Film journalism spaces this year have been living in the past. That’s not a bad thing — just a fact. Few new releases and the malaise of coronavirus lockdown have inspired or outright forced many critics to revisit old favorites or to seek out films they hadn’t yet seen. Many smaller publications — including this one that I love dearly — rely on freelance or unpaid writers and don’t have to produce new film reviews and up-to-date culture writing all the time. And some great pieces come from this model, especially this year. In August, The White Pube’s