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stewart—jarrett and george mackay�*s performances — mackay is well known for his part in the sam mendes war drama 1917. preston is a different interpretation of masculinity for the actor to transform into, particularly physically. to be honest, a huge part of it was findingl his outside first. i think his secret is kind - of clear to him, and it's kind of his idea of masculinity that makes the whole . thing a problem. and therefore, his armour is his aesthetic, so much. of it, so kind of getting this body, sort of building up. the tattoos, the jewellery, the hair, like the costume| as well. the directors also worked with artists from the drag world to create the character ofjules. there was a drag consultant, yeah. how important was that for you? it was really important because that's when jules feels his most powerful. so it really was important to get that right, to kind of feel powerful in that moment, to feel that it was completion of something, a persona. femme's certainly a really gripping commentary on a really
club that we didn't quite have access to, as queer creatives. but femme infiltrates that space superbly, helped by nathan stewart—jarrett and george mackay�*s performances — mackay is well known for his part in the sam mendes war drama 1917. preston is a different interpretation of masculinity for the actor to transform into, particularly physically. to be honest, a huge part of it was finding his outside first. . i think his secret is kind - of clear to him, and it's kind of his idea of masculinity that makes the whole . thing a problem. and therefore, his armour is his aesthetic, so much. of it, so kind of getting this body, sort of building up. the tattoos, the jewellery, the hair, like the costume| as well. the directors also worked with artists from the drag world to create the character ofjules. there was a drag consultant, yeah. how important was that for you? it was really important because that's when jules
performances — mackay is well known for his part in the sam mendes war drama 1917. preston is a different interpretation of masculinity for the actor to transform into, particularly physically. to be honest, a huge part of it was finding his outside first. . i think his secret is kind - of clear to him, and it's kind of his idea of masculinity that makes the whole _ thing a problem. and therefore, his armour is his aesthetic, so much. of it, so kind of getting this body, sort of building up. the tattoos, the jewellery, the hair, like the costume| as well. the directors also worked with artists from the drag world to create the character ofjules. there was a drag consultant, yeah. how important was that for you? it was really important because that's when jules feels his most powerful. so it really was important to get that right, to kind of feel powerful in that moment, to feel that it was completion of something, a persona. femme�*s certainly a really gripping commentary on a really hot topic in the news
space superbly, helped by nathan stewart—jarrett and george mackay�*s performances — mackay is well known for his part in the sam mendes war drama 1917. preston is a different interpretation of masculinity for the actor to transform into, particularly physically. to be honest, a huge part of it was finding his outside first. . i think his secret is kind - of clear to him, and it's kind of his idea of masculinity that makes the whole . thing a problem. and therefore, his armour is his aesthetic, so much. of it, so kind of getting this body, sort of building up. the tattoos, the jewellery, the hair, like the costume| as well. the directors also worked with artists from the drag world to create the character ofjules. there was a drag consultant, yeah. how important was that for you? it was really important because that's when jules feels his most powerful. so it really was important to get that right, to kind
and george mackay�*s performances — mackay is well known for his part in the sam mendes war drama 1917. preston is a different interpretation of masculinity for the actor to transform into, particularly physically. to be honest, a huge part of it was finding his outside first. . i think his secret is kind - of clear to him, and it's kind of his idea of masculinity that makes the whole . thing a problem. and therefore, his armour is his aesthetic, so much. of it, so kind of getting this body, sort of building up. the tattoos, the jewellery, the hair, like the costume| as well. the directors also worked with artists from the drag world to create the character ofjules. there was a drag consultant, yeah. how important was that for you? it was really important because that's when jules feels his most powerful. so it really was important to get that right, to kind of feel powerful in that moment, to feel that it was completion of something, a persona. femme's certainly a really
the hair, like the costume| as well. the directors also worked with artists from the drag world to create the character ofjules. there was a drag consultant, yeah. how important was that for you? it was really important because that's when jules feels his most powerful. so it really was important to get that right, to kind of feel powerful in that moment, to feel that it was completion of something, a persona. femme�*s certainly a really gripping commentary on a really hot topic in the news of the moment — that of so—called toxic masculinity. the fact it comes from a queer perspective makes it even more interesting. and indeed, there are several films at this year's berlinale that do explore this subject. do you have people depending on you? queer filmmakerjohn trengove�*s film manodrome, starring jesse eisenberg as a new father sucked into a cult of masculinity, is in competition in berlin. the filmmaker says he values getting his perspective on why men might run
to be honest, a huge part of it was finding his outside first. . i think his secret is kind - of clear to him, and it's kind of his idea of masculinity that makes the whole . thing a problem. and therefore, his armour is his aesthetic, so much. of it, so kind of getting this body, sort of building up. the tattoos, the jewellery, the hair, like the costume| as well. the directors also worked with artists from the drag world to create the character ofjules. there was a drag consultant, yeah. how important was that for you? it was really important because that's when jules feels his most powerful. so it really was important to get that right, to kind of feel powerful in that moment, to feel that it was completion of something, a persona. femme�*s certainly a really gripping commentary on a really hot topic in the news of the moment — that of so—called toxic masculinity. the fact it comes from a queer perspective makes it even more interesting. and indeed, there are several films at this year's berlinale that do explore this subject. do you have people
by nathan stewart—jarrett and george mackay�*s performances — mackay is well known for his part in the sam mendes war drama 1917. preston is a different interpretation of masculinity for the actor to transform into, particularly physically. to be honest, a huge part of it was finding his outside first. . i think his secret is kind - of clear to him, and it's kind of his idea of masculinity that makes the whole _ thing a problem. and therefore, his armour is his aesthetic, so much. of it, so kind of getting this body, sort of building up. the tattoos, the jewellery, the hair, like the costume| as well. the directors also worked with artists from the drag world to create the character ofjules. there was a drag consultant, yeah. how important was that for you? it was really important because that's when jules feels his most powerful. so it really was important to get that right, to kind of feel powerful in that moment, to feel that
but femme infiltrates that space superbly, helped by nathan stewart—jarrett and george mackay�*s performances — mackay is well known for his part in the sam mendes war drama 1917. preston is a different interpretation of masculinity for the actor to transform into, particularly physically. to be honest, a huge part- of it was finding his outside first. i think his secret is kind of clear to him, and it's kind of his ideal of masculinity that makes the whole thing a problem _ and therefore, his armour- is his aesthetic, so much of it, so kind of getting this body, i sort of building up the tattoos, the jewellery, the hair, l like the costume as well. the directors also worked with artists from the drag world to create the character ofjules. there was a drag consultant, yeah. how important was that for you? it was really important because that's when jules feels his most powerful. so it really was important to get that right, to kind of feel