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Kožená/Uchida review – beauty and elegance in starry pairing's French programme | Classical music

Long-time – if occasional – recital partners Magdalena Kožená and Mitsuko Uchida presented an evening of Debussy and Messiaen

United-states , France , French , American , Mary-garden , Mitsuko-uchida , Claire-delbos , Ariettes-oubli , Wigmore-hall , Magdalena-ko , Pierre-lou ,

Nicholas Capozzoli to Christ Church Cathedral, Montréal

Nicholas Capozzoli is appointed director of music for Christ Church Cathedral, Montréal, Québec, Canada, where he will work with a team of two assistant organists, a semi-professional choir, and music committee. Capozzoli holds a Doctor of Music degree in performance studies from McGill University, Montréal, as well as degrees in historical performance and organ from Oberlin Conservatory of Music, Oberlin, Ohio.

Montreal , Quebec , Canada , Ohio , United-states , America , Canadian , Nicholas-capozzoli , Claire-delbos , Montreal-diocesan-theological-college , American-guild , Christ-church-cathedral

Gweneth Ann Rand/Simon Lepper review – authoritative and polished


Last modified on Wed 3 Mar 2021 11.08 EST
In autumn, the soprano Gweneth Ann Rand and pianist Simon Lepperperformed Messiaen’s mammoth song cycle Harawi in the Wigmore Hall, with a small, spread-out audience physically present in front of them. This week they returned with more Messiaen, his Poèmes pour Mi. The nine movements of this 1936 song cycle – named for Messiaen’s wife Claire Delbos, whose nickname was Mi and who is personified in the central song, The Bride – were framed by two works of five songs each: Wagner’s Wesendonck Lieder and Barber’s Despite and Still. Messiaen would have loved the symmetry.

Wigmore-hall , Claire-delbos , Gweneth-ann-rand , Simon-lepperperformed-messiaen , Wesendonck-lieder , க்வெனெத்-ஆண்டு-ரேண்ட் ,