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Graduate Student Spotlight: Emily Waller Singeisen - UNC English & Comparative Literature

Graduate Student Spotlight: Emily Waller Singeisen - UNC English & Comparative Literature
unc.edu - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from unc.edu Daily Mail and Mail on Sunday newspapers.

Greenwich-village , New-york , United-states , Charles-cullen , Pierre-louy , Clara-tice , Emily-waller-singeisen , Anthony-comstock , Society-for-classical , History-month , Golden-ass , Classical-studies

Radicals and Rogues: These subversive 1910s women made New York cool – but were written out of history

New York's transformation in the 20th Century into a vibrant, modern city is largely thanks to a cohort of radical women artists who were overlooked by history, writes Cath Pound.

Greenwich-village , New-york , United-states , Anthony-comstock , Clara-tice , Paula-polly-holladay , Culture , Article , Story , Books-tag-features ,

Zoë Kravitz And The Complicated History Of The Pixie Cut

Zoë Kravitz's pixie cut in "The Batman" represents Catwoman's autonomy. Off-screen, more and more celebs are choosing to chop their strands.

Paris , France-general- , France , Greece , Greek , Audrey-hepburn , Halle-berry , Mia-farrow , Selina-kyle , Vidal-sassoon , Jada-pinkett-smith , Natalie-michie

Hannah Höch: cut with the kitchen knife through the patriarchy

Hannah Höch: cut with the kitchen knife through the patriarchy
Exploring the German artist's contributions to Dada.
Art by Bonnie Huang
April 25, 2021
Life hasn’t been what you were promised. The people are angry, the government can’t get a grip, and fascism is on the rise. Sound familiar? It’s Germany in the 1910s. You are not a reader of
Honi Soit; you are German Dada artist Hannah Höch, and you’ve got one meaty bone to pick with the Weimar Republic of Germany.
One crisp autumn morning during my senior years of high school in 2019, my art teacher (bless them, they had no idea what they were getting me into) introduced me to the fantastical, wild world of Hannah Höch. I was hooked. Höch’s work wasn’t at all what I was used to — no striking portraits of wealthy toffs with exquisite flowing silks and gleaming jewellery, no striking landscapes of jagged cliffs or raging storms, each stroke painstakingly placed. Instead, there were chaotic arrangements, an abundance of clipped images stuffed into frames, impossible figures hastily constructed with mismatched parts, as if Höch was playing Frankenstein.

Germany , Berlin , German , Artemisia-gentileschi , Sophie-taeuber-arp , Clara-tice , Beatrice-wood , Honi-soit , German-dada , Weimar-republic , Kitchen-knife-dada-through