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Can t Break My Seoul – Artforum

Kate Sutton around Frieze Seoul 2023 - Artforum International

IN THE 1930S, a savvy developer embarked on a real-estate venture in Samcheong, a neighborhood in the heart of Seoul that was once home to a six-hundred-year-old village. Using modern materials for an urban update to the traditional Korean building style, the company created the Bukchon Hanok Village, a tony residential area whose narrow winding streets are now firmly on the tourist map.On Monday of Seoul Art Week, Various Small Fires hosted a reception in one of Bukchon’s hanoks, whose basement had been retooled as a viewing room for a suite of painted prints by Kyungmi Shin. Those who snuck

Hong Kong, Mexican, Korean artists, DJs confront colonialism s continuities, unearth diverse local cultures

When we think about the meaning of colonialism from the perspective of Korea, the first thing that comes to mind is the Japanese colonial era (1910-45), which ended with Japan s defeat in World War II and the Korean Peninsula s liberation. But what if we reconsider the meaning of colonialism as a broader, ongoing phenomenon, as a majoritarian culture that works to dominate, exploit and extract resources from diverse, minor, local cultures?

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