Furniture can be a ripely ambiguous artform of its own
Given its intimacy with the body and deep play on form and function, furniture is a ripely ambiguous artform of its own
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Given its intimacy with the body and deep play on form and function, furniture is a ripely ambiguous artform of its own
The Brooklyn Museum was gifted five Kyohei Inukai works by collector Miyoko Davey, who spent years championing the Japanese American artist.
Nona Faustine’s self-portrait series, “White Shoes,” highlights the city’s historic role in the transatlantic slave trade, as well as broader narratives about the perception of Black bodies in the arts.
Nona Faustine’s self-portrait series, “White Shoes,” highlights the city’s historic role in the transatlantic slave trade, as well as broader narratives about the perception of Black bodies in the arts.
The galleries will feature 450 works, and is part of the museum's 200th anniversary celebration.