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In 'Women Painting Women,' the female gaze is front and center

A new exhibition at the Museum of Modern Art of Forth Worth — "Women Painting Women" — shows viewers what happens when women are both the subject and the artist. The result: something raw and real.

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At the Modern Art Museum of Fort Worth, the female painter's gaze is on display : NPR

A new exhibition at the Museum of Modern Art of Forth Worth — "Women Painting Women" — shows viewers what happens when women are both the subject and the artist. The result: something raw and real.

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Artdaily - The First Art Newspaper on the Net


The First Art Newspaper on the Net
 
Abraham Bloemart's "Moses Striking the Rock," a painting from 1596 now in its collection. The museum said it had investigated and did not find compelling evidence that Curt Glaser had been forced to sell the painting. Metropolitan Museum of Art via The New York Times.
by Catherine Hickley
(NYT NEWS SERVICE)
.- The Nazi authorities removed Curt Glaser from his post as director of the Berlin State Art Library in April 1933 because he was Jewish. He was also evicted from his home and, the following month, sold most of his art collection at two auctions. Since 2007, 13 private collectors or institutions — including the Dutch Restitutions Committee, the Prussian Cultural Heritage Foundation in Berlin, the Museum Ludwig in Cologne and the city of Basel — have concluded that Glaser sold his collection in May 1933 as a result of Nazi persecution, and agreed to either return or pay some compensation to his heirs for art he sold that wound up in their collections. But the Metropolitan Museum of Art and the Museum of Fine Arts, Boston have repeatedly rejected the heirs’ claims for paintings that were sold at the same auctions. They argue there is not enough evidence that Glaser sold under duress. The disparity in the decisions highlights how, 76 years after World War II ended, the criter ... More

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5 Galleries To Visit At H Queen's During Art Month


Hauser & Wirth
As a leading international gallery of modern and contemporary work, Hauser & Wirth does not disappoint, hosting American abstractionist Jack Whitten’s first solo exhibition in Asia. Until July 31, this collection of rarely seen paintings, sculptures and works on paper includes significant works that track Whitten’s evolution as an artist. Included in the exhibition is his ‘Black Monolith’ painting series, which honours African American visionaries and uses an eclectic mix of materials to capture the essence of his admired subjects.
Left: David Adjaye, “Khufu”, 2021 @ David Adjaye, courtesy Pace Gallery. / Right: Adam Pendleton, “Untitled (WE ARE NOT)”, @ Adam Pendleton, courtesy Pace Gallery

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Cantor Arts Center Launches Asian American Art Initiative Bolstered by Major Ruth Asawa Acquisition


Cantor Arts Center Launches Asian American Art Initiative Bolstered by Major Ruth Asawa Acquisition
Among the first of its kind, Stanford’s newest hub of interdisciplinary scholarship transforms the museum’s collection and expands research opportunities.
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Ruth Asawa with life masks on the exterior wall of her house. (Photography by Terry Schmitt. Artwork: “Untitled (Wall of Masks),” c. 1966–2000. Ceramic, bisque-fired clay. © 2020 Estate of Ruth Asawa/ Artists Rights Society (ARS), New York. Courtesy The Estate of Ruth Asawa and David Zwirner)
By BETH GIUDICESSI
PALO ALTO — The Cantor Arts Center at Stanford University announced Jan. 25 the establishment of the Asian American Art Initiative (AAAI), a significant effort to acquire, preserve, display and research art related to Asian American and Asian diaspora artists and their practices.

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