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Allon Schoener, 95, Dies; Curator Caught in Furor Over 'Harlem' Show


Allon Schoener, 95, Dies; Curator Caught in Furor Over ‘Harlem’ Show
His “Harlem on My Mind” exhibit at the Met museum in 1969 drew protests for not including works by Black artists. But since then it’s been reconsidered.
Allon Schoener, second from left, with staff members of the “Harlem on My Mind” exhibition at the Metropolitan Museum of Art in 1969. With him, from left, were Reginald McGhee, Lelia Nelson and Donald Haynes. Credit.Sam Falk/The New York Times
April 23, 2021Updated 4:27 p.m. ET
Allon Schoener, the curator who organized the Metropolitan Museum of Art’s infamous “Harlem on My Mind” show in 1969, which caused protests that stopped traffic on Fifth Avenue because it didn’t include any paintings or sculptures by Black artists, died on April 8 in Los Angeles. He was 95. ....

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'Approach Every Black Artist as a World-Maker': Art Historian Bridget Cooks on the Need for an Expansive Definition of Blackness


Bridget R. Cooks. (Photo by Evelina Pentchev.)
This article is part of a series of conversations with scholars engaged with Black art for Black History Month. See also Folasade Ologundudu’s interviews with Richard J. Powell, Darby English, and Sarah Lewis.

In her much-discussed 2011 book,
Exhibiting Blackness: African Americans and the American Art Museum, Cooks looked at the ways that museums have perpetuated racial inequity through the presentation and curation of African American and African diaspora artists. Her account started with the very first show in America featuring African American artists, at the Art Institute of Chicago in 1927, and continued into the 21st century with the reception of figures including the Gee’s Bend quilters. ....

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Memes Are Dominating Attention Spans and Clicks Like Never Before. So Why Is Serious Socially-Engaged Art Also Thriving?


Read an excerpt from the new book More Art in the Public Eye.
December 24, 2020
Staged between the cubicle-like glass partitions of Brookfield Place’s atrium, in downtown Manhattan, Ernesto Pujol’s performance
9-5 (2015) paid homage to city office workers; writing silently for 8 hours a day, performers’ meditative gesture evoked the repetitiousness of all labor and created a literature
of pedestrian life in the city. © Nisa Ojalvo 2015.
A mohawk-topped black man defiantly marches forward across a public plaza as a weaponized water cannon blasts him back, creating a visceral spectacle recalling civil rights confrontations in 1960s Birmingham, Alabama, but the year is really 2014, and the place is New York City. A series of free workshops teaches eager participants the art and history of protest songs, all the while repurposing such musical dissent to accommodate issues of contemporary resistance. A mysterious huddle of white-clad scriveners silently do ....

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Pratt Institute | News | Pratt Remembers Cliff Joseph, Founding Art Therapy Faculty Member and Alumnus


Cliff Joseph, BFA Illustration ’53, a pioneer in the field of art therapy who helped found the Graduate Creative Arts Therapy Department at Pratt Institute, died on November 8, 2020, the age of 98. 
“We in the current department are proud that Cliff was a part of the early days of the Art Therapy Program which was one of the first art therapy programs in the country,” said Julie Miller, chair of the Creative Arts Therapy Department.  “Founder Art Robbins said, ‘Cliff was a true pioneer in developing art therapy with hospitalized patients. His demonstrations of his work to students were memorable.’ And as we strive to meet the challenges of creating a more diverse and equitable department, we recognize his very early contributions to this effort.” ....

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