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The term “fringe festival” might evoke thoughts of Edinburgh, the Scottish home to perhaps the most well-known festival by that name, responsible for shows like Fleabag, Six, and even Sir Tom Stoppard’s masterpiece Rosencrantz and Guildenstern are Dead. The immediate association with this city is accurate given that it was in Edinburgh in 1947 where groups of performers arrived to appear at the Edinburgh International Festival, but, uninvited, put their shows on simultaneously on what would later be termed “the fringes” of the official festival.

A Workers World Party member since 1962, Catalinotto addressed the final session of the Lenin Centennial of Jan. 21, 2024. The following text is based on his talk. As a managing editor of Workers World newspaper for the last 41 years, I value the written word. Thus, I’d like to…

Review: The Fire This Time Festival spotlights LGBTQ love that rings true and an unintended spoof of transgender identity.

Writer and performer Inua Ellams was born in Nigeria, is based in England and performs internationally. “As an immigrant, I’m most comfortab

No longer at the Public, the annual celebration of experimental theater disperses 17 productions across the city. About half are international works that are getting harder to import.