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The ARTnews Guide to Performance Art, Part 2: 1950s to the Present

Part two of our two-part history of the art form of performance art, which moved from the margins to the mainstream after WWII. ....

United States , New York , Brooklyn Academy Of Music , Rio De Janeiro , Estado Do Rio , Tiananmen Square , Los Angeles , Dorothy Chandler Pavilion , White House , District Of Columbia , South Korea , France General , Ann Magnuson , Robert Mcelroy , Kazuo Shiraga , Luc Castel Getty , Peter Moore , Rudolf Schwarzkogler , Shimamoto Shozo , Trisha Brown , Vncenzo Pinto , Matthew Barney , Billt Jones , Frank Uwe Laysiepen , Eric Bogosian , Tehching Hsieh ,

Taking a Walk across the Internet | Magazine

Taking a Walk across the Internet | Magazine
moma.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from moma.org Daily Mail and Mail on Sunday newspapers.

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'I follow a different person every day': using strangers to explore the city

The rules of the art of ‘following’ are simple: choose a stranger and secretly copy their route – you’ll see the city in a new light ....

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Colby Chamberlain on the art of Dave McKenzie - Artforum International

Colby Chamberlain on the art of Dave McKenzie
Bobblehead from Dave McKenzie’s
While Supplies Last, 2003, performance, poly-resin figures, 7 × 2 1⁄2 × 2 1⁄2 .
“I KNOW YOU ARE DAVE, but who is Dave?” Sixteen years ago, in these pages, the artist Glenn Ligon recounted how a stranger once posed this question to Dave McKenzie’s face. Or rather, she posed it to a papier-mâché approximation of his face, which McKenzie wore while he handed out bobblehead figurines of himself during an opening at SculptureCenter in New York. Ligon floated a few possible rejoinders: Dave was a dancing machine; Dave felt your pain; Dave wanted to be like Mike; Dave believed he could fly; Dave was a dime-store Jesus, for whom made-in-China tchotchkes were the bread and wine of a secular communion. These musings riffed on McKenzie’s various attempts to embody public figures, such as when he marched through Harlem sporting a rubber mask of ....

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