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Looking at a handful of projects from the 1920s through 1940s, Suzanne Stephens traces shifting attitudes toward tall buildings in architectural criticism.
Frenzied commuters in New York City’s Flatiron district have been stopped in their tracks in recent days by an unlikely apparition
The artist Shahzia Sikander calls her eight-foot sculpture, the first female figure atop a powerful New York appellate courthouse, an urgent form of “resistance.”