The Day - A listen to the latest music by St. Vincent, Tom Jones - News from southeastern Connecticut
Every St. Vincent album comes with a fresh concept and persona. On 2014′s "St. Vincent," singer and shape-shifter Annie Clark was a "near future cult leader." On 2017′s "Masseduction," she was "like a dominatrix at a mental institution," pealing off wicked guitar solos while done up in latex and high heels. With "Daddy's Home," Clark time-travels back to 1970s New York. She's calling the new aesthetic "Gena Rowlands in a Cassavetes film," evoked in a "color palette of the world of 'Taxi Driver.'" Musically, that means touches of early '70s Stevie Wonder funk and swirling Pink Floyd prog, ...