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L.A.'s underground art scene is boosting at-home galleries

The most exciting exhibit spaces in L.A. have gone in-house, popping up in unlikely homes, empty pools, laundry rooms and beyond. ....

Beverly Hills , United States , Metropolitan Museum Of Art , New York , Santa Monica , City Of , United Kingdom , Mount Washington , El Salvador , Highland Park , Griffith Observatory , Hancock Park , Los Feliz , Wally Skalij Los Angeles , Sam Dybeck , Walter Arensberg , Nina Muccia , Sam Parker , John Lautner , Max Ernst , Pablo Picasso , Hollywood Arensberg , Henri Matisse , Marcel Duchamp , Mel Melcon Los Angeles , Max Goldstein ,

A Brief History of the LA House Gallery

Artists and writers reflect on domestic exhibition spaces in Los Angeles, from 1940 to the present
Since the dawn of the 20th century, artists pursuing their dreams in Los Angeles have found a city rich in creative possibilities but often short on creative infrastructure. In response, they’ve built their own, tucked away in the abundant private homes, apartments and gardens of the city’s fertile plain. Exhibitions in closets, bathrooms and garden sheds are amongst the most interesting in a metropolis increasingly at the centre of the globalized art world. Charting a partial map of these domestic spaces over the past 80 years, this special section looks into what architectural historian Reyner Banham called, in ....

Echo Park , United States , Lafayette Park , New York , Macarthur Park , France General , Los Altos , Lincoln Heights , Mount Washington , Santa Monica , City Of , United Kingdom , San Francisco , Cypress Park , Beverly Hills , Eagle Rock , Miracle Mile , West Hollywood , Los Angeles , Steven Brown , Ben Echevarria , Paul Soto , Taylor Renee Aldridge , Fritz Haeg , Gloria Bohanon , Matt Mullican ,

Dan Nadel on Philip Guston's Jewishness - Artforum International

Dan Nadel on Philip Guston’s Jewishness
Philip Guston,
If This Be Not I, 1945, oil on canvas, 42 1/4 × 55 1/4 . © The Estate of Philip Guston.
TO BE A JEW in twentieth-century America was to be an outsider. We Jews gathered in temples and schools, we bought properties, physical and intellectual, to maintain control of our environments. We formed our own magazines. We exploited ourselves and others. Ashkenazi Jews can pass as non-Jewish when it suits us, or Jewish again when we wish to be “chosen.” And when blame is to be assigned, or walls erected, we can once again pass or not pass depending on the ideological needs of the times. The tension inherent in assimilation and rejection, donning and discarding a mask, is at the center of Philip (Goldstein) Guston’s work. It also accounts for some of the resentment, bitterness, and neuroticism embedded in so much twentieth-century art and entertainment. Guston lives in this ....

New York , United States , University Of Chicago , Iowa City , Evans School , City Of , United Kingdom , National Gallery Of Art , District Of Columbia , Czech Republic , Michoacade Ocampo , Los Angeles , Kaywin Feldman , Barnett Newman , Jew Guston , Robert Crumb , Ashkenazi Jews , Clark Coolidge Berkeley , Musa Mayer , Harry Cooper , Robert Storr , Clemente Orozco , Marcel Duchamp , David Alfaro Siquieros , Lorser Feitelson , Reuben Kadish ,