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Claire Bishop on the superabundance of research-based art

a href= http://davidzwirner.com target= _blank David Zwirner /a announces an exhibition of work by American artist Sherrie Levine at the gallery&#

POSTCARDS, FAXES, AND EMAIL PRINTOUTS lie wanly in a vitrine. A plywood shelving unit holds rows of informational leaflets. One gallery wall is plastered with graphs and charts. Another is covered in hundreds of seemingly identical photographs. On a bank of video monitors, talking heads are explaining something. In a darkened corner, a slide projector clunks slowly through a carousel of images. Nearby, a 16-mm film whirs alongside a soporific voice-over. An illuminated table is covered in papers and newspaper clippings marked up with Post-its. Every object on display is accompanied by a length...

AMERICA LOVES its unconscionable mash-ups. Since the 1990s, a fixture of Thanksgiving Day football coverage has been television anchors’ ritual consumption of a “turducken”: a chicken stuffed in a duck stuffed in a turkey. Following that logic, what would be the apposite coinage for a manifesto slipped into a press release set inside the screenshot of a Gmail message? A manipresscreenmail, or a Gshotleasefesto? Either way, the announcement for “Nobodies New York,” a small group show organized by Josh Kline in 2009, a full one hundred years after the Futurist Manifesto appeared in Le ...