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She spent decades hooked on heroin until a religious experience changed her life. Now, the reverend of a Brooklyn church has been discovered by the art world
Eve Fowler catches up with Sam Gordon on his latest body of work.
Tabboo!, Tabboo! 1982–1988. New York: Gordon Robichaux/Karma Books, 2021. 140 pages. ONCE UPON A TIME in the early 1980s, New York City’s East Village was cheap and scary, a petrified forest of desiccated industry. Among the ruins, fantastic creatures built worlds of fantasy and devised strategies to survive. They made themselves at home. One of these creatures was Stephen Tashjian, who had come to New York with a gaggle of friends, each full of promise, after graduating from the Massachusetts College of Art in Boston. Some were photographers: Mark Morrisroe, the prolific punk, and Jac...
William Kentridge, Drawing from Waiting for Sibyl (Comrade Tree, I report to you), (2020) Courtesy: Goodman Gallery The success or failure of Frieze New York could have consequences throughout not only the art fair circuit in the US and abroad, but very likely for other cultural institutions that plan to hold events and are looking at the city's first major cultural gathering in more than a year as a barometer for post-vaccination attendance. Will it work? If the opening day of the fair is any indication, the answer is a flat out yes. Similar to the way elite athlet...