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Joel Chadabe, Explorer of Electronic Music’s Frontier, Dies at 82 As both a composer and an advocate, Mr. Chadabe devoted himself to what one music critic called the “marriage between humans and their computers.” The composer Joel Chadabe during his tenure at the State University of New York at Albany, where he had been hired at 27 to run the university’s electronic music studio. “I took to it, I think, because for me it was the frontier,” he said.Credit...Luther Smith May 25, 2021Updated 5:56 p.m. ET Joel Chadabe, a composer who helped pioneer electronic music in the 196...

Exaudi. This lunchtime recital, entitled Chromatic Renaissance, intersperses 16th and 17th-century works with a selection of madrigals from contemporary composer James Weeks’s Primo Libro. The program opens with four of Orlande de Lassus’s Sibylline Prophecies 2 pm ET: Hamburg International Music Festival presents Insula Orchestra & Laurence Equilbey. Laurence Equilbey conducts Insula Orchestra and Accentus Choir in an all-Schumann program comprising Vom Pagen und der Königstochter Op. 140, Des Sängers Fluch Op. 139, Requiem für Mignon Op. 98b, and Nachtlied Op. 108. View here...

NorSou May 24 Composers Music Infused with Tangy Rhythms and Harmonies by American Composers NEW YORK, NY, USA, May 19, 2021 /EINPresswire.com/ -- Pianist Max Lifchitz steps into summer with a virtual recital featuring piano works infused with rhythms and harmonies often found in popular dance and music. Sponsored by North/South Consonance, Inc., the event will take place on Monday afternoon May 24. It will start at 4 PM (EST) and end around 5:30 PM. It will be streamed live through the National Opera Center YouTube channel @ Described by the San Francisco Chronicle as "a stunning, ultra-sens...

THE MUSICAL AVANT-GARDE in the 1970s constitutes a complex mosaic whose integrative logic would seem to support a multitude of propositions, each with its own unique dialectical thrust. Today, when a composer’s sensibility can be dramatically influenced by such diverse musics as those of John Cage, Iannis Xenakis, North Indian improvisation or African drumming, to trace the various and variable ties among the many fragments of this mosaic becomes a difficult task indeed. This resembles the situation around the turn of the century, when the world of music exploded into a pluralistic universe...