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Colbert Report and Unbreakable Kimmy Schmidt writer Meredith Scardino’s sometimes hilarious comedy works best in its flashback moments to the heights of the former girl band’s fame. With its perfectly pitched, pointed – and sometimes black – humour, it reminds one of the Andy Samberg-starring sports mockumentaries 7 Days in Hell and Tour de Pharmacy. Music videos for less-successful songs like Quit Flying Planes at my Heart are a riot, while interviews where the women say things like “we’ve been best friends since we all auditioned for the same man in a New Jersey motel” of...

Netflix won't delete Ian Bailey interviews from Sophie Toscan du Plantier documentary The latest documentary, Sophie: A Murder in West Cork, will be available from today on Netflix. By Niall O'Connor Wednesday 30 Jun 2021, 12:05 AM 4 hours ago 10,093 Views 0 Comments Ian Bailey has asked Netflix to remove his interviews. Image: PA Image: PA NETFLIX has confirmed that it will not delete Ian Bailey interviews from its new documentary on the mu...

Sophie Toscan du Plantier was murdered in 1996 Credit: Netflix Netflix’s latest true crime series starts as one thing and then becomes something entirely different. Sophie: A Murder in West Cork begins as the horrific yet relatively straightforward tale of a French woman bludgeoned to death outside her holiday home overlooking the wild Atlantic on Ireland’s southern coast.  But then this gripping three-part series from director John Dower (The Mystery of DB Cooper, Bradley Wiggins: A Year in Yellow) mutates into a far stranger story. Weeks after the killing in December 1996 of film produ...

Antiwar.com Original Originally posted at TomDispatch. This editor’s note introduced the single article that took up almost every inch of space in the August 31, 1946, New Yorker magazine: “TO OUR READERS: The New Yorker this week devotes its entire editorial space to an article on the almost complete obliteration of a city by one atomic bomb, and what happened to the people of that city. It does so in the conviction that few of us have yet comprehended the all but incredible destructive power of this weapon, and that everyone might well take time ...

Nehru's core template for recording history was unity, Modi’s is uniformity. But history, at best, is an 'argument'.