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In this excerpt from Brad Mehldau's memoir ‘Formation: Building a Personal Canon, Part 1,' the pianist talks about learning from jazz legends Barry Harris and Lou Donaldson.
When Grant Green Jr. was a kid, he used to delight in watching his dad—one of the most renowned guitarists in jazz—play his instrument. However, while the
Since 1985, KUVO has provided a rare blend of music & news. We broadcast the best in Jazz, Latin Jazz & Blues in addition to 17 locally produced, culturally diverse programs.
Since 1985, KUVO has provided a rare blend of music & news. We broadcast the best in Jazz, Latin Jazz & Blues in addition to 17 locally produced, culturally diverse programs.
Since 1985, KUVO has provided a rare blend of music & news. We broadcast the best in Jazz, Latin Jazz & Blues in addition to 17 locally produced, culturally diverse programs.
The 35th annual edition of the three-day jazz fete kicks off Friday at the Del Mar Hilton. The lineup includes Ken Peplowski, Chuck Redd, Lia Booth, Peter Washington and more
Since 1985, KUVO has provided a rare blend of music & news. We broadcast the best in Jazz, Latin Jazz & Blues in addition to 17 locally produced, culturally diverse programs.
Jazz Corner of the World Encore Mondays from 6:00pm to 10:00pm Grant Green On Blue Note Host Craig Kessler gives us a listen to Grant Green on Blue Note Records. We’ll hear some sweet stuff from this all-time guitar great’s 1960s work, both as a leader and as a sideman. Tune in for absolute classic … Continue reading
Jazz Corner of the World Encore Mondays from 6:00pm to 10:00pm Keyboard Wizard Joe Zawinul Host Craig Kessler takes a loving listen to the career of Joe Zawinul. A tasteful (and tasty) variety of Joe’s earlier works is set to play in this first of three episodes. Zawinul made legendary recordings with Cannonball and Nat … Continue reading
Consider this for the first major show in the main theater – four of the world’s best electric bassists (Marcus Miller, Christian McBride, Derrick Hodge, and Don Was) engaged in three cutting sessions akin to what one might find from horn players on NYC’s 52nd street in the early fifties.