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IN A RICKETY WOOD-FRAME BUILDING near Eureka, California, along a slough that leads to Humboldt Bay, there is a self-portrait by Martin Wong. He left it unfinished—a quick acrylic underpainting in shades of blue. It shows the artist cross-legged and palms open, some contours so faint they disappear into the canvas. The painting’s surface is slightly buckled from exposure to the fog that rolls over the region, rusting metal, peeling away house paint, and activating blooms of mold. Its slight weathering makes it appear at home among the other relics (retired buoys, milk-stand signs) that a l...

a href= https://museum.stanford.edu/ target= _blank The Cantor Arts Center /a is presenting East of the Pacific: Making Histories of Asian America

The Filipino American artist influenced countless students as a teacher at SFAI. A retrospective offers a beguiling peek at his underappreciated work.

'Worlds in Collision' at Asian Art Museum pays homage to the Tenderloin's risk-loving, thought-provoking Carlos Villa

The first major museum retrospective of a Filipino American artist in the U.S., Carlos Villa's work is a quintessentially San Francisco story.