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Eyal was life itself. We are left here shifting around in a depleted realm (I owe this word to Cora Cohen, who upon hearing Eyal had died, said “the world is depleted”), we flattened, having lost dimensions, dimensions of dynamism, as Eyal drew us out of our flatness, drew us out into fuller being.
Artist and photographer a href= http://www.colleenlongocollins.com target= _blank Colleen Longo Collins /a has released Tenacious Nostalgia, a lim
Cora was a relentless and ambitious maverick. She was constantly reinventing her work. She wouldn’t settle, wouldn’t stop exploring abstraction. The paintings always seemed to lead her.
An artist of many mediums, he used a vast array of materials, including stone, paint, piles of earth and even lettuce, to provoke thought and wonder.
IN THE SUMMER OF 2022, Susanne Pfeffer, director of Frankfurt’s Museum für Moderne Kunst, deinstalled the institution’s storied collection in anticipation of an upcoming exhibition. Titled simply “Rosemarie Trockel,” the comprehensive retrospective would occupy the entirety of Hans Hollein’s postmodern masterwork.1 Next, Pfeffer addressed the inherently disorienting character of the architect’s labyrinthine design. Spurning a strictly chronological layout and didactic forms of institutional guidance on the walls, she would invest her audience with an unaccustomed degree of agency....