Graham Sleight (2015) by Francesca Myman
Publishing lead-times being what they are, the extraordinary events of 2020 largely weren’t reflected in the books that came out in the year – or at least, not intentionally. I managed to read a good deal of thought-provoking SF and fantasy this year, but some books seemed even more relevant than expected because of the pandemic-shuttered world they emerged into. How posterity will view them – let alone how it’ll view the books that’ll doubtless follow about COVID itself – is a question for another day.
Samit Basu’s
Chosen Spirits (Simon & Schuster India) offered a picture of India that was, its author insisted, both a dystopia and less bad than some alternatives. It certainly dug into the country’s culture and how it might change under the pressures bearing down on it.
THE COVEN by Lizzie Fry (Sphere, £14.99) is set in a world similar to our own except that there, witchcraft exists as part of normal life. Or it did, until a right-wing religious movement in the US saw a misogynist campaign against witches as its route to state power and ultimately to world domination.
As suppression and oppression of witches specifically, and women in general, grows, a small band of escapees and their allies are on the run in the British countryside.
So what we are presented with is essentially a chase thriller with magical elements and good fun it is too. Star readers will cheer as the characters discover that the division between men and women is intended primarily as a means to strengthen the division between rich and poor.
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What a year. Who would have thought this time last year that 2020 would bring a pandemic? And what did it mean for books? Well, publishing schedules went a bit haywire as titles were postponed, trumpeted or slipped under the radar. It was possibly the worst time to be a debut author, with launches taking on a new identity.
Writers festivals and bookshop events were cancelled or migrated online. But didn t we readers respond well? We took to virtual events in our homes with alacrity, while festival directors swiftly and imaginatively adapted their offerings in a new world.