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Into Another Channel? Literature and Politics in Hungary


Into Another Channel? Literature and Politics in Hungary
Gábor Schein, CC0, via Wikimedia Commons
In the essay below, translated from Hungarian by Ottilie Mulzet, Gábor Schein discusses the impact Hungary's recent political developments have had on the country's literary landscape.
Again and again in Eastern Europe, previous generations—with their mute, often invisible tragedies—suffered the truth of these lines by Anna Akhmatova:
I, like a river,
I am a substitute. My life has flowed
Into another channel
—from Northern Elegies, trans. D. M. Thomas
 
The poet who spoke these lines demonstrates to all that an individual, seemingly powerless and alone—if she is free to the depths of her soul—can nonetheless defy power, with its tanklike arrogance, its warlike cynicism. And yet she says that her life has "been turned aside by this harsh age"; she is a "substitute." Akhmatova never intended to become a symbol of unbending integrity, of solitary people mourning friends and lovers, but this is what she became; this was the necessary and natural choice of her inner freedom, her answer to Stalin’s terror. In the meantime, others—talented and dissolute youths, ruined bootlickers of the regime, violent, lummox-brained men—became directors, chief editors, ministers of a paranoid worldview.

Germany , New-york , United-states , Budapest , Hungary , Szil , Gyor-sopron-megye , Russia , Brussels , Bruxelles-capitale , Belgium , Berlin

„Az együtt muzsikálással nem lehet konkurálni" – kultúra.hu

„Az együtt muzsikálással nem lehet konkurálni" – kultúra.hu
kultura.hu - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from kultura.hu Daily Mail and Mail on Sunday newspapers.

Miskolc , Hungary , Japan , Budapest , Philadelphia , Pennsylvania , United-states , Fabri-peter , Wolf-kati-facebook , Johann-sebastian-bach , Balog-joseph , Wolf-peter

Gábor Böszörményi • Distributore, Mozinet


Questo articolo è disponibile in inglese.
Gábor Böszörményi, CEO of Hungarian distribution company Mozinet, tells us about distributing independent European films in Hungary, describing his tasks and ideals as a publisher and the campaigns he sets up to reach the public and get his films known. Having worked for over twenty years in Hungary’s film industry, he speaks about the difficulties and successes of the past ten years, his need for independence and the uncertainties of the current situation.
(L'articolo continua qui sotto - Inf. pubblicitaria)
Cineuropa: What is Mozinet’s editorial policy?
Gábor Böszörményi: We started distributing films fifteen years ago; we aim at top-level festival movies. We distribute fifteen films a year, half of them European, a few international films and two or three Hungarian films. National movies need more energy and time to be released than foreign films because we have to produce the trailer and the poster together with the producers and we have to brand the movies ourselves. We also have our own festival, the Mozinet Film Days.

Germany , Hungary , France , French , Hungarian , German , Agnieszka-holland , Uberto-pasolini , Lili-horv , Nora-fingscheidt , National-film-institute , Netflix

Gábor Böszörményi • CEO, Mozinet


"We try to approach every film differently"
15/12/2020 - We talked to Gábor Böszörményi about independent film distribution in Hungary and the strategy of his distribution company Mozinet
Gábor Böszörményi, CEO of Hungarian distribution company Mozinet, tells us about distributing independent European films in Hungary, describing his tasks and ideals as a publisher and the campaigns he sets up to reach the public and get his films known. Having worked for over twenty years in Hungary’s film industry, he speaks about the difficulties and successes of the past ten years, his need for independence and the uncertainties of the current situation.

Germany , Hungary , France , French , Hungarian , German , Agnieszka-holland , Uberto-pasolini , Lili-horv , Nora-fingscheidt , National-film-institute , Netflix