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Can narrative prose occasion instrumental music? Though countless compositions have been based on literary texts, the process from words to music can be elusive. A case in point was the world premiere of Luciano Chessa’s Piombo (Italian for lead)—from Primo Levi’s story of the same title—for solo cello, performed by the exceptional Frances-Marie Uitti on January 21 at Magazzino Italian Art in Cold Spring, New York, and the following week, at the Italian Cultural Institute of San Francisco.

Robert Ryan makes his crossword debut and immediately calls a recess.

Blue Telescope, an award-winning, interactive exhibit agency, has recently had success at both the MUSE Awards and the Summit Awards.

Matthew Kenslow aims to empower others living with disabilities or other challenges through his speaking engagements and his book.

In his literary memoir "Still No Word From You," author Peter Orner finds himself haunted by the remembrance of authors past.