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BERRY CAMPBELL PRESENTS RAYMOND HENDLER: RAYMOND BY RAYMOND (PAINTINGS 1957-1967) NEW YORK, New York Subject Line Please provide verification code RAYMOND HENDLER: RAYMOND BY RAYMOND (PAINTINGS 1957-1967) NEW YORK, NEW YORK, June 29, 2021âBerry Campbell is pleased to announce its fourth exhibition of paintings by Raymond Hendler (1923-1998). Raymond Hendler: Raymond by Raymond (Paintings 1957-1967) features paintings created between 1957 and 1967, a transitional period for Hendler in which the artist moved away from an Abstract Expressionist mode and employed a more stylized line, producing distinct shapes and symbols. The exhibition is accompanied by a 16-page catalogue with an essay written by Phyllis Braff.Â
Richard Nonas, Who Explored Art and the Space It Inhabits, Dies at 85 A part of the early-1970s art scene in SoHo and TriBeCa, he created Post-Minimalist sculptures out of steel, stone and wood. The sculptor Richard Nonas in Paris in 1965. “He grasped space,” one curator said, “in a way most of his colleagues did not.”Credit...Harry Gruyaert/Magnum Photos May 24, 2021, 12:45 p.m. ET Richard Nonas, a Post-Minimalist sculptor influenced by his field work in anthropology to conceive works from found materials that explored how art and the space it occupies affect each other, died on May 11 at his home in Manhattan. He was 85.
BERRY CAMPBELL PRESENTS FRANK WIMBERLEY: COLLAGE NEW YORK, New York Subject Line Please provide verification code Email is invalid Frank Wimberley, Untitled (Collage), 1971, Newsprint, handmade paper, Color-aid and painted paper on Arches paper, 22 1/2 x 30 inches. Berry Campbell Gallery is pleased to announce a survey exhibition of collage works by Queens based, African American artist, Frank Wimberley (b. 1926). Since the 1960s, Wimberley has been known for creating dynamic, multi-layered, abstract paintings described in 2001 by New York Times art critic, Grace Glueck, as “. . . good to behold: beautifully brushed and infused with a light that magnifies their intensity. . ..” This special exhibition will feature both paintings with collage elements as well as traditional collage works on paper and will highlight some of Frank Wimberley’s most important collages to date, including several examples going back to the early 1970s.