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Paul Mooney, Comedy's Maestro of White America


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Paul Mooney died on Wednesday, of a heart attack, at the age of seventy-nine.Photograph from Michael Ochs Archives / Getty
“White” is an unsensual word. Where other terms that begin with the same consonants sound whimsical—“whiff” or “whiskers” or, well, “whimsical”—“white” coldly whistles. Even without the distinctly regional pronunciation that makes the “h” known, the word’s imperious breathiness is there in wait, a coiled but uncracked whip. “White” and its associated terms pepper the English lexicon with euphemism: whitewash, white elephant, white lie. And, of course, “white,” as in white
people, is a modifier that still sends its own referents running scared. Really, who can blame them? Unlike other, perhaps less civil, monikers—“buckra,” “ofay,” “honkey”—“white” is abrupt, without music. And ....

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«Երբ Ադրբեջանը զբաղեցնի բոլոր հարմար դիրքերն ու բարձունքները, իհարկե, կսկսի նոր պատերազմ». Արմինե Ադիբեկյան

«Երբ Ադրբեջանը զբաղեցնի բոլոր հարմար դիրքերն ու բարձունքները, իհարկե, կսկսի նոր պատերազմ». Արմինե Ադիբեկյան
aravot.am - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from aravot.am Daily Mail and Mail on Sunday newspapers.

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Post Script: Niranjana Chettiar

Post Script: Niranjana Chettiar
printweek.in - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from printweek.in Daily Mail and Mail on Sunday newspapers.

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Bloomsbury - Mihaela Mihailova - Mihaela Mihailova


Mihaela Mihailova
Mihaela Mihailova is a Postdoctoral Fellow in Film Studies in the Department of English at Michigan State University. Mihaela s research interests include animation, film and media theory, early Soviet cinema, contemporary Eastern European cinema, video games, and comics. She has published articles in animation: an interdisciplinary journal, Studies in Russian and Soviet Cinema, Post Script: Essays in Film and the Humanities, and Kino Kultura. She has also contributed chapters to Animating Film Theory (ed. Karen Beckman) (co-written with John MacKay), Animated Landscapes: History, Form, and Function (ed. Chris Pallant), and the forthcoming volumes Drawn from Life: Issues and Themes in Animated Documentary Cinema (eds. Jonathan Murray and Nea Ehrlich) and Animation Studies Handbook (eds. Bella Honess Roe, Nichola Dobson, Amy Ratelle, and Caroline Ruddell). She is currently working on a book manuscript, Animating Global Realities in the Digital Age. Through a ....

United States , Bella Honess Roe , Nea Ehrlich , John Mackay , Caroline Ruddell , Mihaela Mihailova , Jonathan Murray , Nichola Dobson , Amy Ratelle , Chris Pallant , Karen Beckman , Department Of English At Michigan State University , Postdoctoral Fellow , Film Studies , Michigan State , Eastern European , Soviet Cinema , Animating Film Theory , Animated Landscapes , Animated Documentary Cinema , Animation Studies Handbook , Honess Roe , Global Realities , Digital Age , ஒன்றுபட்டது மாநிலங்களில் , ஜான் மகே ,

Remembering the Liberal Champion Walter Mondale, Who Died on Monday


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Two seminal moments capture Walter Mondale’s long-shot 1984 Presidential bid, which I covered as a neophyte reporter for the
Wall Street Journal. The first was his effect on a cavernous campus gym in the Midwest filled with cheering supporters. The place was crammed to the rafters with college students who had been raucously awaiting Mondale’s arrival and were primed for excitement. The crowd applauded wildly as the former Vice-President strode onto a stage festooned with festive bunting and balloons. But, when Mondale launched into his stump speech, he told the eager young students that not all of them would go out into the world and succeed. Many of them, he warned, would find that life could be hard, and that they might have setbacks. He predicted that some members of the audience would someday need the help of government services, and that, in the future, many would rely on Social Security. When I looked out across the room, it was as if ....

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