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MPavilion 2023: how local vision attracted Tadao Ando's first Australian project

Tadao Ando is one of the world’s most acclaimed architects but he was happy to go small-scale in his first Australian project.

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MPavilion 2023: how local vision attracted Tadao Ando's first Australian project

MPavilion 2023: how local vision attracted Tadao Ando's first Australian project
smh.com.au - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from smh.com.au Daily Mail and Mail on Sunday newspapers.

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MPavilion 2023: how local vision attracted Tadao Ando's first Australian project

MPavilion 2023: how local vision attracted Tadao Ando's first Australian project
brisbanetimes.com.au - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from brisbanetimes.com.au Daily Mail and Mail on Sunday newspapers.

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Kim Conaty – interview: 'Ruth Asawa pursued drawing throughout her life, the sculpture coming from it, wire the equivalent of line'

Kim Conaty, the Whitney Museum’s curator of prints and drawings, explains what led her to organise a show of Asawa’s drawings rather than the wire sculptures for which she is famed

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Barbara Chase-Riboud's alternative monuments at Serpentine

‘Infinite Folds’ at Serpentine celebrates Barbara Chase-Riboud, the American artist, novelist and poet who has pondered history and memory for seven decades

New-york , United-states , Paris , France-general- , France , Rome , Lazio , Italy , United-kingdom , Philadelphia , Pennsylvania , China

Barbara Chase-Riboud: 'The so-called culture war has nothing to do with culture' | Art

The artist danced with James Baldwin, was helped by Jacqueline Kennedy Onassis and sculpted Malcolm X. Now she’s received the only honour she ever wanted

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Hannah Wilke's work laid bare at the Pulitzer Art Foundation

A detail from Hannah Wilke’s Intra-Venus Triptych “Marilyn Monroe” (1992-93)
© 2021 Scharlatt Family, Hannah Wilke Collection & Archive, Los Angeles / Licensed by VAGA at Artists Rights Society (ARS), NY Permission
“Hannah Wilke was a provocateur—a certain notoriety followed her and she also cultivated it,” says Tamara Schenkenberg, the curator of an exhibition at the Pulitzer Arts Foundation in St Louis dedicated to the pioneering feminist artist who used the taboo subject and form of the vagina as her central motif. “She’s an interesting figure, both well-known and influential, but also understudied.”
The exhibition
Hannah Wilke: Art for Life's Sake (4 June- 16 January 2022) features nearly 120 works spanning three decades, from the artist’s early suggestive boxlike vessels in clay made in the early 1960s while a student studying sculpture at the Stella Elkins Tyler School of Fine Arts near Philadelphia, to her more overtly vulvic shapes layered or folded by hand in clay, latex, kneaded eraser or chewed gum—and sometimes incorporated into her photographs and videos of herself performing disrobed in the 1970s. It also includes Wilke's photographs documenting her mother’s cancer and then the ravages on her own body from non-Hodgkin’s lymphoma, from which she died in 1993 at age 52.

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