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Reframing neglect: a fine art and documentary photography exhibition on NTDs - Vimarsana News

Reframing neglect: a fine art and documentary photography exhibition on NTDs

This series, Reframing Neglect, highlights the dire need to end neglected tropical diseases (NTDs) through a collaborative body of work with photographers from seven African countries and curated Aïda Muluneh – an Ethiopian photographer, contemporary artist, and activist – who has captured the international art world through visual storytelling that intersects with, and elevates advocacy. The series will be touring in various locations starting in the Fall of 2022.

Source: who.int
Pride, pain and parasites: the photography show about the injustice of tropical diseases - Vimarsana News

Pride, pain and parasites: the photography show about the injustice of tropical diseases

Photographing suffering is extremely contentious. But Reframing Neglect finds new ways to visualise neglected diseases in Africa – and their devastating impact on poor communities

Can These Photographs Help End Disease in Africa? See Works from 'Reframing Neglect' at The Africa Center - Vimarsana News

Can These Photographs Help End Disease in Africa? See Works from 'Reframing Neglect' at The Africa Center

Reframing Neglect, a photography series at The Africa Center in New York City, wants to put an end to neglected tropical diseases in Africa.

Source: ebony.com
The END Fund presents 'Reframing Neglect', Creative directed by Aïda Muluneh - Vimarsana News

The END Fund presents 'Reframing Neglect', Creative directed by Aïda Muluneh

The a href= http://end.org target= _blank END Fund /a , through the support of Reaching the Last Mile, is pleased to announce Reframing Neglect, a

A tea shop in Khartoum before the bombs: Ala Kheir's best photograph | Photography - Vimarsana News

A tea shop in Khartoum before the bombs: Ala Kheir's best photograph | Photography

‘This meeting place, under a bridge over the Nile, was a great place to watch the world go by. But many people have now fled the city – and places like this sit empty’