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In 1940s, a photographer named alexander land noticed in riis book how the other half lives, that on the title page it says, with illustrations after photographs by the author. So he said to himself, well, where are these photographs . And after several years of searching, he tracked down riis son and with much coercing got riis son to try to find the pictures which turned out to be in the attic of the familys home in queens, new york, that was about to be torn down. So his son discovered a box filled with 400 negatives, 300 odd lantern slides and almost 200 paper prints. And delivered them to alexander hollande, the photographer, who again, taking a couple of years, created an exhibition of from the negatives making beautiful prints, modern prints from the negatives and working with the curator at the museum of the city of new york to put on an exhibition called battle with the slum named for one of riis books in which these beautiful, enlarged pictures along with excerpts of riis wri ....
Now refer to institutionally as the press. Lectures in history on American History tv on cspan3 every saturday at 8 00 p. M. Eastern. Lectures in history is also available as a podcast. Find it where you listen to podcasts. Youre looking at a timelapse video recorded by the library of congress showing the process of constructing the exhibition jacob riis revealing how the other half lives. Next on American History tvs american artifacts, we visit the exhibit in the librarys Thomas Jefferson building to learn about the life of the danishborn journalist, social reformer, and photographer. This program is just under an hour. Im cheryl regan, exhibit director in the Interpretive Programs Office at the library of congress. Im barbara baier, curator, o ....
American history tv on cspan3 every saturday at 8 00 p. M. Eastern. Lectures in history is also available as a podcast. Find it where you listen to podcasts. Youre looking at a time laps video reco lapse video, next on American History tvs american artifacts we visit the Thomas Jefferson building to learn. This program is just under an hour. Im sheryl, heim an exhibit director at the library of congress. Im barbara bear. Im a historian in the manuscript division. This jacob riis is a copresentation with the museum of the city of new york. It is the first time that the collections of the library of congress, the jacob riis papers have been married with the collection in the museum of the city of new york. We picked the word copresentation very carefully, because the exhibition here actually follows an exhibit that was at the museum of the city of new york and really that e ....
Abraham lincolns hand. Due to the coronavirus pandemic, this took place virtually, and the New York Historical society provided the video. Good evening, everyone. It is my absolute delight and pleasure to have the opportunity to speak with my good friend and professional colleague Harold Holzer. And as we said, please feel free to use the q a button at the bottom or the top of the screen and well get to as many questions toward the end. Lets turn our attention to some objects that help us describe the civil war. And might we see the cover of our book, civil war in 50 objects. In the museum realm, particularly the history museum, the art, objects, and documents on display have the power to stand in for a larger historical narrative conveying so much more than what is structurally defining of that object itself. But harold, what about our book civil war in 50 objects . How ....
Objects. Now in the nume realm, particularly the history human, the art, objects, and documents on display have the power to stand in for a larger historical narrative, conveying so much more than what is structurally defining of that object itself. But what about our book, civil war in 50 objects . How did this come about, and how effective is it at conveying the narrative sweep of the civil war in 50 objects . Well, its kind of a tactile history that brings you closer to the lived experience of the civil war. Thats because i was thats what made it so exciting for me. And if youre asking how it happened, it happened because of louise mayer. Louise asked me if i would be doing in this kind of a chronicle for publication, and she said, why dont you come in . I think you were there that first day of review. Why dont you come in, and ill put some of the objects i have in mind on a few tables in the Administrative Offices of t ....