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Rent The Runway Review: My Honest Feedback After 10 Years – StyleCaster

The pros, the cons, the best things to rent, and more after using the clothing and accessory rental company for an entire decade.

Ulla-johnson , Saylor-rose-allison , Dana-leigh-smith , Rent-the-runway , Runway-review , Dana-leigh , Runway-works , Rent-the , Can-you-get , Farm-rio , Veronica-beard

Rent The Runway Review: My Honest Feedback After 10 Years

The pros, the cons, the best things to rent, and more after using the clothing and accessory rental company for an entire decade.

Dana-leigh-smith , Saylor-rose-allison , Ulla-johnson , Scroll-to-see-more , Rent-the-runway , Runway-review , Dana-leigh , Runway-works , Rent-the , Can-you-get , Farm-rio

A.L.C. Fall 2021 Ready-to-Wear Collection


Andrea Lieberman has always been a designer who’s more interested in clothes than fashion. Rather than reinvent the wheel each season, her A.L.C. collections reflect what “feels right” in any given moment: a wider sleeve, a slightly longer collar, a narrower silhouette, or a lush color combination. As we near the end of lockdown, Lieberman focused on minor tweaks that made quite polished pieces feel as comfortable as sweats (though you happily won’t find sweatpants here).
There were jewel-toned ribbed-knit sets, styled together or broken apart with other separates, and the coats were almost un-tailored to feel more like blankets. Trousers had a new, relaxed sensibility thanks to hip-slung waistbands and pooling flares, a pivot from years of cropped, ultra-high army pants. The tight jeans of seasons past were replaced by an easy straight-leg style too. For those of us craving “going out” clothes, the soft jersey dresses and velvet cutout gowns might ease the transition from Zoom parties to real-life ones.

Andrea-lieberman , Alcs , Fall-2021-ready-to-wear , Runway-review , Runway , ஆண்ட்ரியா-லிபர்மேன் , அலெக்ஸ் , வீழ்ச்சி--ரெடீ-க்கு-அணிய , ஓடுபாதை-விமர்சனம் , ஓடுபாதை ,

Martin Grant Fall 2021 Ready-to-Wear Collection


He’s too discreet to toot his own horn, but Martin Grant has lived the expat designer’s dream in Paris for nearly 30 years. That wasn’t even the beginning: Having started his first business back home in Melbourne at 16 years old and made the pages of Australian
Vogue at 18, he turned up in the City of Light a decade later with a degree in sculpture, zero connections, and proceeded to get straight to work. The turning point came in the mid-’90s, when Naomi Campbell did a turn in a show at the designer’s tiny Rue des Rosiers boutique. It’s the stuff of fashion lore; one doesn’t hear such stories much anymore.

Australia , Melbourne , Victoria , Paris , France-general , France , Rosiers , Limousin , French , Australian , Cate-blanchett , Naomi-campbell

Valentin Yudashkin Fall 2021 Ready-to-Wear Collection


Valentin Yudashkin launched his fashion label in the Soviet Union. Though materials were far less abundant than they are in present-day Russia, Yudashkin made an international name for himself with his limited resources, even catching the eye of the late Pierre Cardin. The practice of thinking beyond what’s on hand was one of themes of Yudashkin’s new fall collection, which focused on space travel, Cardin himself, and the narrative of a young woman factory worker who studies at night to become a fashion designer.
As usual, Yudashkin focused on silhouettes and technique. His supersharp blazers and double-breasted jackets were no fuss and impeccably cut. Regarding these masculine touches, he said he was thinking of his young protagonist reworking pieces from her father’s wardrobe. One cool example was a retooled white shirt that appeared to be worn in reverse with an exaggerated collar. Cardin and his space-age ’60s sensibility were the inspirations behind the collection’s trendy accessory: the balaclava. In a few instances, but especially when it was worn with a long black dress with bell sleeves, the optic white headgear evoked an otherworldly, even holy feeling.

Russia , Soviet , Valentin-yudashkin , Pierre-cardin , Fall-2021-ready-to-wear , Runway-review , Runway , ரஷ்யா , சோவியத் , பியர்-கார்டின் , வீழ்ச்சி--ரெடீ-க்கு-அணிய

TRE by Natalie Ratabesi Fall 2021 Ready-to-Wear Collection


How we’ll dress to “reemerge” has inspired a great debate among designers, retailers, and fashion obsessives. One faction predicts a return to sexy, decorative, audacious clothes, the kind that demand an audience; the other maintains that we’ll never give up the comfort and security of our year-long loungewear binge. Both extremes are just that: extreme. Intuitive, rational designers like Natalie Ratabesi understand it will likely be a mix: Some days, she just wants to slip into a beaded gown and five-inch heels again, and others she’s content in her new uniform of blazers and vintage Champion sweats. Her fall 2021 collection for TRÉ reflected both impulses, with plunging cutout bodysuits at one end and snuggly sherpa hoodies on the other.

Natalie-ratabesi , Tre-by-natalie-ratabesi , Fall-2021-ready-to-wear , Runway-review , Runway , வீழ்ச்சி--ரெடீ-க்கு-அணிய , ஓடுபாதை-விமர்சனம் , ஓடுபாதை ,

Hope For Flowers Pre-Fall 2021 Collection


Tracy Reese has packed and shipped every Hope for Flowers order that’s gone out in lockdown. After running a global brand for 20 years, start-up life has certainly been an adjustment, but it’s proved invigorating. “I’m having fun again,” she said from her hometown of Detroit. Later this year, Reese will open an H.Q. in the city’s arts district, where she plans to hire and train women of color in the community. The ultimate goal is to shift most of her production from overseas to Detroit and create employment opportunities for women whose skills in sewing, embroidery, and textiles haven’t been utilized in Motor City.

Tracy-reese , Hope-for-flowers , Pre-fall-2021 , Runway-review , Runway , சுவடு-ரீஸ் , நம்பிக்கை-க்கு-மலர்கள் , பிரே-வீழ்ச்சி- , ஓடுபாதை-விமர்சனம் , ஓடுபாதை ,

Ami Fall 2021 Ready-to-Wear Collection


Alexandre Mattiussi is the consummate fashion fan. To mark the 10th anniversary of his label Ami, he’s nodding to the designers, TV shows, and models that shaped his understanding of the fashion world. On a Zoom call from his Paris studio he name-checks MTV’s
House of Style, early Helmut Lang collections, Calvin Klein, and the effortless elegance of Caroline Bessette-Kennedy. After a splashy show on the banks of the Seine last season, he wanted to make something with a little more heart, he explains. Consider fall 2021 his homage to his heroes of modern style.
The collection video stars Adut Akech as the Cindy Crawford of his House of Ami segment. She traverses Paris, talks to the camera, and arrives backstage for the show. It’s a sweet reminder of what we miss about Fashion Week—not just the fashion, but each other.

Paris , France-general , France , Adut-akech , Alexandre-mattiussi , Helmut-lang , Calvin-klein , Cindy-crawford , Caroline-bessette-kennedy , Fashion-week , Ami

Kenneth Ize Fall 2021 Ready-to-Wear Collection

Kenneth Ize Fall 2021 Ready-to-Wear collection, runway looks, beauty, models, and reviews.

Nigeria , Italy , Lagos , Paris , France-general , France , Ethiopia , Ethiopian , Nigerian , Kenneth-ize , Lekki-toll

Stella Jean Fall 2021 Ready-to-Wear Collection


Stella Jean doesn’t shy away from controversy or important causes. She has been a fierce spokesperson bringing awareness of racial inequalities in the Italian fashion system to the fore, pushing the industry to answer tough questions and to bring about effective change. In her practice as a fashion designer, her commitment to celebrating multiculturalism and the creative contribution of minorities and marginalized communities in her collections goes back a long way. Her label was actually born out of her desire to pay homage to her Haitian-Italian roots.
For fall, she partnered with the Food and Agriculture Organization of the United Nations (FAO). Through its Women’s Committee, she teamed up with the Mountain Partnership Products initiative (MPP), which provides technical and financial support to small communities of producers and artisans in remote rural and mountain areas around the world. Jean was introduced to the work of Kyrgyz women from Barskoon, a settlement at 1,750 meters elevation in the northeast of Kyrgyzstan. The area is known for inlaid felt carpets and wall hangings traditionally handcrafted by women, using techniques passed down from generations. “When I saw all that beauty, the richness of the colors, the symbology, the history behind this culture, I was blown away,” Jean said on a Zoom call from her home in Rome. “These women are custodians of a naturally circular economy, totally equitable, and with the lowest environmental impact.”

Barskoon , Ysyk-kög , Kyrgyzstan , Italy , Bishkek , Rome , Lazio , Haiti , Umbria , Italian , Kyrgyz , Stella-jean