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Review: Dune: Part Two sustains the dystopian dream of Part One

Three firm thumps into the Arrakis sand is all you need to summon a sandworm in Denis Villeneuve’s Dune: Part Two. It’s almost as easy as hailing a cab or...

Hollywood , California , United-states , Baron-vladimir-harkonnen , Emperor-christopher-walken , Javier-bardem , Austin-butler , Paul-atreides-timoth , Chani-zendaya , Frank-herbert , Charlotte-rampling , Hans-zimmer

Here's the Extended Preview for Denis Villeneuve's 'Dune: Part Two'

"That passion invigorates us all?" Less than a month to go!! Warner Bros has dropped this preview online for everyone to watch following its exclusive debut in IMAX theaters during the re-release of Dune: Part One. This was initially in theaters only for those who went back to watch the first movie again. The epic

Paul-atreides , Christopher-walken , Charlotte-rampling , Florence-pugh , Stephen-mckinley-henderson , Josh-brolin , Rebecca-ferguson , Stellan-skarsg , Dave-bautista , Warner-bros , Extended-preview , Denis-villeneuve

Beware: Kremlin-Backed Sandworm's 'Infamous Chisel' Malware Targets Major CEX And Crypto Wallets

It is not confirmed if Infamous Chisel has caused any theft of any crypto, so far, underlining the possibility that the data stolen using the malware couldn't provide malicious actors with full

Poland , Australia , Ukraine , United-kingdom , Kremlin , Moskva , Russia , Russian , Australian , Oliver-dowden , Us-justice-department , Communications-security-establishment

Five Eyes Fingers Moscow in Ukrainian Android Hacking

Western intelligence agencies lent authority Thursday to a Ukrainian exposé unmasking a campaign by Russian military state hackers targeting battlefield Android

Kyiv , Kyyiv , Misto , Ukraine , Russia , Moscow , Moskva , Australia , United-states , United-kingdom , Canada , New-zealand

Russia-backed Sandworm group using novel RansomBoggs ransomware to target Ukrainian organisations

The PowerShell script used by the RansomBoggs operation to distribute the ransomware is very similar to the one used in the Industroyer2 malware attacks against Ukraine's energy industry in April this year

Ukraine , Slovak-republic , United-states , Poland , Russia , Polish , Russian , Russians , Ukrainian , Slovak , Jamesp-sullivan ,

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i knew it would be a lot of preservation needed, but for example sand dunes were shot with a real camera, i knew that we then needed to match that completely digitally, to be able to put a sandworm, in this example, put a sandworm through those dunes as well. so i knew it was going to be as photoreal as we could get it. it started almost from day one, it is like 0k, sand — sand and the worm, and how do we make this happen and make it look 100% photoreal, but also be able to iterate and see different versions and render it, and have it to the level that imax shows? one of the biggest challenges we had, sticking with sand for a minute, was the issue of scale. in the deserts of arrakis there is no vegetation, so we didn't have bushes, no scale references for the eye to look at and know how big things were. which is good and bad,

Lot , Example , Dunes , Sandworm , Sand-dunes , Preservation , Camera , Worm , Sand , Day-one , One , 0k

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filming it as if it was for real, so it is not visual effects for visual effects' sake, but visual effects to help tell the story and move the story along. that is the type of work i quite enjoy. i knew it would be a lot of preservation needed, but for example sand dunes were shot with a real camera, i knew that we then needed to match that completely digitally, to be able to put a sandworm, in this example, put a sandworm through those dunes as well. so i knew it was going to be as photoreal as we could get it. it started almost from day one, it is like 0k, sand — sand and the worm, and how do we make this happen and make it look 100% photoreal, but also be able to iterate and see different versions and render it, and have it to the level that imax shows? one of the biggest challenges we had, sticking with sand

Lot , Effects , Work , Story , Sand-dunes , Type , Preservation , Real , Sake , Example , Dunes , Sandworm

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that's the type of work i quite enjoy doing. i knew it would be a lot of preservation needed, but for example sand dunes were shot with a real camera, i knew that we then needed to match that completely digitally, to be able to put a sandworm, in this example, put a sandworm through those dunes as well. so i knew it was going to be as photoreal as we could get it. it started almost from day one, it's like 0k, sand — sand and the worm, and how do we make this happen and make it look 100% photoreal, but also be able to iterate and see different versions and render it, and have it to the level that imax shows? one of the biggest challenges we had, sticking with sand for a minute, was the issue of scale. in the deserts of arrakis, there's no vegetation, so we didn't have bushes, no scale references for the eye to look at and know how big things were.

Lot , Work , Sandworm , Sand-dunes , Preservation , Type , Camera , Example , Worm , Dunes , Sand , Day-one

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fiction movie, but try and have it in a way as if you were filming it as if it was for real, so it's not visual effects for visual effects' sake, but visual effects to help tell the story and move the story along. that's the type of work i quite enjoy doing. i knew it would be a lot of preservation needed, but for example sand dunes were shot with a real camera, i knew that we then needed to match that completely digitally, to be able to put a sandworm, in this example, put a sandworm through those dunes as well. so i knew it was going to be as photoreal as we could get it. it started almost from day one, it's like 0k, sand — sand and the worm, and how do we make this happen and make it look 100% photoreal, but also be able to iterate and see different versions and render it, and have it to the level that imax shows?

It , Way , Effects , Real , Lot , Work , Story , Sand-dunes , Type , Preservation , Sake , Example