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My guest this week is Sara Krajewski [PRONOUNCED kra-JESS-ki], the Senior Curator of Modern and Contemporary Art at Portland Art Museum. Krajewski is talking about Hito Steyerl’s [PRONOUNCED HEE-to STY-rol] video installation called “This is the Future” which critiques artificial intelligence and futurism. The curator talks about how AI has changed since this was made in 2018,
Portland-based choreographer, dancer, and visual artist Takahiro Yamamoto’s new work Opacity of Performance premieres June 16 at the Portland Art Museum in Oregon, marking a return to live art inside the museum’s galleries. Delayed by the COVID-19 pandemic, this commissioned dance installation will take place over two consecutive weekends, June 16 to 19 and June 23 to 26, 2022.
Even if you don’t know her name, you have likely seen Frida Kahlo’s face in many places. With her signature thick eyebrows, her red lips and hair pinned up with flowers, her image has appeared on everything ranging from calendars, to socks and coffee mugs. She was even featured briefly in Disney’s a
Consider the lilies: Frida and the rest of them, Local Features, Portland local Features, Breaking Features alerts for Portland city.
ISBN: 9781597114486 Contributors Photographs by Hank Willis Thomas. Text by Julia Dolan, Sara Krajewski, Sarah Elizabeth Lewis, and Sarah Elizabeth Lewis. Interviewer Kellie Jones. By Bobby Martin. Hank Willis Thomas (born in Plainfield, New Jersey, 1976) received his BFA from New York University, and an MFA in photography and an MA in visual criticism from California College of the Arts. His first monograph, Pitch Blackness, was published by Aperture in 2008. His collaborative projects include the book and traveling exhibition Question Bridge: Black Males, the installation In Search of th...