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I have deliberately left out spectators. It is immoral, unconscionable and unacceptable in the times we live for any of our compatriots to be content to be a spectator. For the times, they are worrying.
She was a great leader. [MEDIA]
Antonio Negri on capitalism, working class sabotage and the refusal of work following the mass struggles of 1977.
/ Since 1999, Sean Scully’s Landline paintings have led a transition from what John Caldwell called ‘the asceticism of his earlier black paintings’ towards the ’emotion, space, colour and physicality’ [i] of a more expressive style that has traced the world’s contours. As Scully says, ‘I change, of course, and hopefully expand’. In the Landline series, Scully seeks to paint his ‘sense of the elemental coming-together of land and sea, sky and land … the way the blocks of the world hug each other and brush up against each other.’ [ii] The series works as a guide fo...