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Your World With Neil Cavuto-20211022-20:57:00

>> it's easier to produce it, but harder to make them successful because the reason they're being remade is because they were a hit, right? if you watch the new version, everybody is comparing that to something that was a hit. it's hard to measure up. >> charles: it is better. maybe the remake of the thomas crown was not bad maybe. it's so rare. but doesn't it point to the fact that hollywood is relying on sequels, prequels that they have lost the art of storytelling? >> they shouldn't have. it's not that hard to get a new idea. i have them all the time. whether they are friendly enough for to be produced, that remains to be seen, which is why i'm not a movie producer. but that's their job. just looking at what is on nick at night and be like i'm going to do this gran. i don't understand. >> charles: and get paid. what about sex in the city,

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Detailed text transcripts for TV channel - DW - 20180218:17:53:00

a major role. suddenly everything is in motion the stories the camera the montage. this is a frog it's a phase in which film is exploring its possibilities finding a new cinematic language there are major discoveries in both lighting and the art of storytelling of office it's a. new film language and new perspectives. i think you can find me more of the same weimar cinema revisited makes you want to discover more about the little known films from this fascinating era. it's not quite as prestigious as the one underway in berlin right now but another film festival just took place in san francisco one that celebrates the diversity and dynamism of german language cinema the film screened at the berlin and beyond festival the largest german language film festival outside of europe and

Forty-acres-film , Stories , Camera , Everything , Motion , Role , Frog , Montage , Phase , Possibilities , Perspectives , A-new-film-language

Detailed text transcripts for TV channel - MSNBC - 20141220:01:39:00

it is wrong for a prosecutor to put forward witnesses he believes are lying. and i think it's hard to imagine anyone criticizing him for sticking to only, you know, the reliable witnesses. the ones who were there. the ones who saw the incident. that after all is his job. joining me now, john shapiro, former federal prosecutor and special assistant to former attorney general janet reno. you're the author of "lawyers, liars and the art of storytelling." i don't want to talk too much about storytelling with you but more about truth and why would a prosecutor say that he should put people on the stand in a grand jury that he didn't think were telling the truth? >> he shouldn't. and no lawyer should the rules of professional conduct prohibit it, rule 3.3 specifically says a lawyer shall not put a witness before a tribunal, including a grand jury, if the lawyer, including the prosecutor, knows

Anyone , Bob-mccullough , All , Witnesses , Ones , Job , The-incident , Prosecutor , Author , Janet-reno , Lawyers , Assistant

Detailed text transcripts for TV channel - MSNBC - 20130621:06:53:00

draft. we're guessing out there aaron doesn't know me. he doesn't know the characters as well as he will later on. will this work? will the story work? can i even do will? all that stuff kind of happens in the first season. we guessed right more than we guessed wrong, i think. but i know shooting the second season, which we just finished, it felt like our third or fourth. it was as if aaron and all of us walked on to the set at season two and said we got this. we know what this is now. thank you for allowing us the time to kind of find it. and we will continue to do that, like any show would. but with someone who is as masterful at the art of storytelling as sorkin is, it's a joy to get there every day. because you never know what the next episode. you never know where he is going to take that story. and that's the mark of a good storyteller. >> i can't wait to see you and emily mortimer and of course sam waterston and jane fonda. what a cast. and i want to know what you end up saying about our business.

Work , Story , Kind , Stuff , Characters , Aaron-doesn-t , Draft , All , Season , Set , American , Two

Detailed text transcripts for TV channel - MSNBC - 20130620:23:53:00

aaron, me, every actor, every designer, director, it's a first draft. we're guessing out there aaron doesn't know me. he doesn't know the characters as well as he will later on. will this work? will the story work? can i even do will? all that stuff kind of happens in the first season. we guessed right more than we guessed wrong, i think. but i know shooting the second season, which we just finished, it felt like our third or fourth. it was as if aaron and all of us walked on to the set at season two and said we got this. we know what this is now. thank you for allowing us the time to kind of find it. and we will continue to do that, like any show would. but with someone who is as masterful at the art of storytelling as sorkin is, it's a joy to get there every day. because you never know what the next episode. you never know where he is going to take that story. and that's the mark of a good storyteller. >> i can't wait to see you and

Work , Story , Kind , Season , Stuff , Actor , Characters , Aaron-doesn-t , Designer , Draft , Director , All

Detailed text transcripts for TV channel - MSNBC - 20130620:21:54:00

masterful at the art of storytelling as sorkin is, it's a joy to get there every day. because you never know what the next episode. you never know where he is going to take that story. and that's the mark of a good storyteller. >> i can't wait to see you and emily mortimer and of course sam waterston and jane fonda. what a cast. and i want to know what you end up saying about our business. every one of your shows is a statement about what you ought to be doing in this business, right? >> well, or the struggle that you guys face every day of do i -- you know, do we for number's sakes stay wicasey anthony or jodi arias or do we go after the stories that aren't going to pull the ratings, but they're better stories and more information and that's what we should be talking about. you guys fight that every day. and i think the show focuses more on that, andand frankly, we'rer not sitting on the set going what is fox or msnbc saying wrong today.

Story , Episode , Joy , Storyteller , Course , Mark , The-art-of-storytelling , Sorkin-is , Emily-mortimer , Sam-waterston , One , Guys