The Ever Given and the Monstrosity of Maritime Capitalism
Liam Campling and Alejandro Colás Beginning in the late 1860s, the decade that it took to construct the Suez Canal, photographs depicting its feats of engineering circulated across the world. Sold to travelers as souvenirs, featured in Le Monde, and later exhibited at the 1889 Paris world fair, they enshrined on paper the industrial monumentality of the dredgers that excavated earth into sea. The Ever Given provided a rare glimpse into global markets, whose workings are typically invisible—dissolved in the abstract, numerical, quasi-magical relations of capital flows. As publicized images...