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Why Israeli short films are winning international awards


Why Israeli short films are winning international awards
Why Israeli short films are winning international awards
With a choice of many film schools and a penchant for storytelling, Israelis raise ‘super interesting voices’ on screen.
“Him & Her” coproducers Daria Geller and Yuval Orr. Photo by Alexey Kudrick
Whether or not he wins an Oscar on April 25, Tomer Shushan has achieved an exceedingly rare accomplishment.
The 33-year-old Israeli filmmaker’s first independent short film, “White Eye,” was one of 10 shortlisted in the Live Action Short Film category for the 93rd Academy Awards, out of 174 that qualified.
On March 15, “White Eye” was announced as one of the nominees.

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Oscar contending short 'White Eye' tackles Israel's 'blind' bias toward African migrants - Israel News


Mar. 11, 2021
For those who follow the fortunes of Israeli films in the run-up to the Academy Awards, the prospects are looking up after an initial disappointment.
In the category of foreign language films (renamed international features), Israel’s entry “Asia” — an intimate mother-daughter film about Russian immigrants in Israel starring Shira Haas — failed to make the initial cut to 15 semifinalists among the entries from 93 countries.
However, even professional observers of Israeli movies initially overlooked a short film titled “White Eye,” which has reached the shortlist of 10 finalists among 174 entries for best international short.
(For full-length foreign language movies, each country’s film academy enters its “best” choice. However, in the short film category — maximum length 40 minutes — producers and directors can submit their own works.)

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'I always wanted to tell stories and make people feel something'

DUBAI: Writer and director Tomer Shushan is no stranger to stories. Growing up listening to his grandfather entertain people through stories, he aspired to be a storyteller. Little did he know that some day he would be writing and directing his own stories. Although his film “A Sight” (2014) and TV show “Hellblazerbiz” (2021) has generated buzz in the industry, it is his short

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Israeli short film on African migrants among 10 finalists for Academy Awards

Israeli short film on African migrants among 10 finalists for Academy Awards
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Acclaimed Israeli short film 'White Eye' tackles Israel's 'blind' bias toward African migrants | National and world news

Acclaimed Israeli short film 'White Eye' tackles Israel's 'blind' bias toward African migrants | National and world news
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Israeli Director's Short Film About TLV Migrants May Be Up For Oscar

Israeli Director's Short Film About TLV Migrants May Be Up For Oscar
nocamels.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from nocamels.com Daily Mail and Mail on Sunday newspapers.

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A Guide to Oscars' Shortlisted Live-Action Shorts - With Tilda Swinton, Oscar Isaac and Joey Bada$$

A Guide to Oscars' Shortlisted Live-Action Shorts - With Tilda Swinton, Oscar Isaac and Joey Bada$$
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Israeli Live Action Short Contender 'White Eye' Is a Poignant Portrayal of Privilege in One Perfect Take


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Israeli Live Action Short Contender 'White Eye' Is a Poignant Portrayal of Privilege in One Perfect Take
Shirley Halperin, provided by
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Among the live action shorts in contention for this year’s Academy Awards is “White Eye,” Israeli filmmaker Tomer Shushan’s poignant narrative about the thought-to-reaction movements of a Tel Avivian who finds his stolen bicycle in the street. At 20 minutes and in one continuous take, it progresses like a waltz through the choreographed action of its 10 primary actors, a diverse ensemble of Hebrew speakers from different ethnic backgrounds, each of whom comes with their own internal biases and sense of privilege and place in the greater class structure of modern Israeli society.

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Short Israeli Film Makes It to The Oscars

Short Israeli Film Makes It to The Oscars
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Oscar-nominated 'White Eye' asks the hard questions

LONDON: “White Eye” — a short film from writer-director Tomer Shushan — serves as a masterclass in concise storytelling. After all, the pivotal moment at the heart of Shushan’s semi-autobiographical (and recently Oscar-nominated) short involves little more than a dispute over a stolen bicycle, with no lavish set pieces or special effects required to create an enthralling

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