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Transcripts For BBCNEWS This 20240705

jeremy deller, welcome to this cultural life. thank you. you were brought up in dulwich in south london. what are your earliest cultural memories of home? home. well, church, actually. there s culture in church. yeah. there s a human culture, there s people, and then there s music and there s visuals and smells and so on. so, the church, maybe early on as a child, is something i remember. i remember seeing help, the beatles film, very early on. i remember telling my mother i d just discovered these four men who live in the same house as each other, which was very much like the house we lived in. and i was amazed. then she told me, oh, actually, i know those people. that s the beatles and they re not around any more. that was your introduction to the beatles? yeah, and i was very sad. i remember being very sad about it, thinking that they didn t live together properly and it was actually. they weren t around. so help was a big influence on me, and television in general, i t

Transcripts for BBCNEWS This Cultural Life 20240604 02:43:00

wanted me to be out and about. ijust liked being in places with music being loud. raves? yes. i mean, indie music and that crossover, and all sorts of music. and, really, what was underpinning the scene at that time was house music. yes. and you, later, of course, you created acid brass, which was a musical mashup of acid house and the brass bands, and particularly the williams fairey brass band of stockport in lancashire playing rave anthems. and there are some very busy riffs in the bass which work excellently on the euphoniums. music: pacific 202 by 808 state the idea came about in 1996, 95, i think. and, effectively, it s a story of britain through music. so you have industrial music, and industrialform of music making, which is brass bands, and they look like factory parts,

Transcripts for BBCNEWS This Cultural Life 20240604 02:44:00

do they not? and they re always associated with industries. william fairey band was an engineering company. that s right, from stockport. mines had their own brass band, steel works and so on. so it s the music of industry and of heavy industry. and i wanted that to transplant music that was post industrial, that was effectively digitally made, onto the brass band. and you tell this story, and i made a diagram called the history of the world, which basically tried to create a narrative of british history through music. it s a flow diagram on the wall. yeah, it s a flow diagram that connects these two very. ..on the face of it, differing sort of music forms, but actually they re totally connected because it s all about industry, it s about people s social lives, it s about community and so on, and it s about geography. and what you were doing was, was more than just a concept, an idea or a diagram. you were literally making these brass. encouraging brass bands to learn these rave tunes.

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