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Judas and the Black Messiah spotlights the story of Fred Hampton's assassination


GAGE SKIDMORE/CC BY-SA 2.0
Daniel Kaluuya plays Black Panther leader Fred Hampton in the film
Judas and the Black Messiah.
It is a fairly well-known fact that mainstream perceptions of historical Black leaders in America are understood through a largely cordoned-off, de-radicalized tone. The story goes that Martin Luther King Jr. and other Southern Christian leaders organized peacefully to end segregation, and that the U.S. government listened and responded in kind.
Of course, the reality was far more complex. King himself was a democratic socialist and vociferously anti-war, so much so that he was extremely unpopular among white Americans at the time. The movement was composed of personalities and groups ranging from remarkably varied ethnic and ideological backgrounds. Chief among those groups, especially in the wake of the assassinations of King and Malcolm X, was the Huey Newton-led Black Panther Party. ....

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Judas and the Black Messiah review: a US police state


One of the most jarring notes in the 2018 Marvel film Black Panther is the character of Everett Ross, a white CIA operative who fights alongside Wakandans to defeat the Black militant Killmonger. Never mind that for decades, the real CIA surveilled and murdered many African revolutionaries and Black Panthers. Spike Lee’s BlacKkKlansman (also 2018) features a similar sugar coat, making Ron Stallworth, the Black cop who infiltrated the KKK, into a hero, while papering over his role in counter-intelligence programmes targeting Black radical organisations. 
Even in the most politically engaged Hollywood movies, the thoroughly racist legacies of American law enforcement are rarely shown unvarnished. So the fact that Judas and the Black Messiah even exists – a major studio film about the assassination in 1969 of the 21-year-old Fred Hampton, charismatic deputy chairman of the Black Panther Party – is in itself r ....

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The 15 Best Films We Saw at Sundance


The 15 Best Films We Saw at Sundance
Eliott Grover, provided by
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The 2020 Sundance Film Festival was one of the last major events of its kind –– or any kind –– to take place before the world changed forever. With little time to prepare a viable pivot, other festivals like SXSW and Cannes were forced to cancel. As the pandemic raged through the summer and into the fall, Sundance organizers understood that they would have to radically reimagine their event in order to save it.
The 2021 festival, which concluded yesterday, was entirely virtual. Some other festivals, fearful that sponsors and distributors could shy away from truncated or remote programs, are reluctant to abandon in-person expositions. Sundance, however, leaned in. Under the leadership of first-year director Tabitha Jackson, the programming team spent months designing a proprietary streaming platform and building a digital world to preserve the energy of a festival environme ....

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