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The Candyman comes for the art world | Apollo Magazine

The Candyman comes for the art world | Apollo Magazine
apollo-magazine.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from apollo-magazine.com Daily Mail and Mail on Sunday newspapers.

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Be(ware) the Swallowing Nature Bites Back: FROGS and the Ecophobic White Imagination


Orca, none of which may have existed without their progenitor in
Jaws. Both Steph Cannon and Blu Gilliand recognize the impact of Spielberg’s ’75 classic not just on the genre, but the degree to which it shifted how folks relate to natural bodies of water in general. As Cannon describes, the film’s blockbuster success ravaged waterside communities the year of its release, taking a choice bite from local economies largely dependent on summer tourism just as seen in the movie. While these economies eventually bounced back, the real catastrophe was the film’s impact on sharks themselves.
Ecologically speaking, the shark subgenre has fueled an intense antagonism and resultant lack of public care toward the hundreds of distinct species increasingly threatened as a direct result of human consumption. A combination of overfishing, inadequate management by commercial fisheries, and changing temperatures due to climate change all imperil these species who determine the ove ....

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Departures | Ghost Tours

Departures | Ghost Tours
departures.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from departures.com Daily Mail and Mail on Sunday newspapers.

Calhoun Square , United States , New York , New Orleans , Criterion Theatre , Essex County , Bar Harbor , City Of , United Kingdom , Mary Oliver , John Remond , Howard Zinn , George Corwin , Andrea Janes , Jennifer Pictou , Anne Rice , Leila Taylor , Roger Herson , Laurie Cabot , Lisa Andresen , Jennifer Dionisio , Patt Gunn , Lizzie Borden , John Hathorne , Delphine Lalaurie , Witche League ,

Stacked: Autumn/Winter 2020 | Haute Macabre


Darkly was an illuminating, insightful read that gave me pause with every sentence. Part personal memoir, part cultural critique, part valuable history lesson, Taylor meditates on the Black experience and gothic culture through a collection of observations on music, film, art, philosophy, architecture, decay, and violence– and through these observations invites us to more closely analyze and question the aesthetics of those dark things we hold dear.
Something that struck me, in particular, is where Taylor asserts that: “goth is above all privileging the imagination over reason, choosing the fanciful over the pragmatic, forgoing restraint for excess,” and she further comments on the privilege of this frivolity and how this ostentatiousness is typically seen as a sentiment only for white people. That Blacks must be ever vigilant (due to the very justified paranoia that they can’t afford distraction) and therefore there’s this sense of gravitas or this sense of pride t ....

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