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International horror film conference heads to Hartlepool's Northern School of Art

International horror film conference heads to Hartlepool's Northern School of Art
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York chefs off to Roman bakery Forno Conti with Rachel Roddy

TRIO of York chefs, Alessandro Venturi of Spaghetti Junction, David Ritson of Bobbin Bagels and Big Coat Supper Club, and Harry Johns of Holy…

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The 25 best movies of 2023

The Total Film team choose the best films of 2023, from reinvigorated rom-coms to a historical epic like no other

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Fright Krewe Review –Animated Gateway Horror Series

Fright Krewe Review –Animated Gateway Horror Series
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'It Follows' 4K Ultra HD Review - Modern Classic Holds Up Nearly 10 Years Later

'It Follows' 4K Ultra HD Review - Modern Classic Holds Up Nearly 10 Years Later
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Chance to Win a copy of 'It Follows' Arrives 11th September 2023

Chance to Win a copy of 'It Follows'

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It Follows receiving Limited Edition 4K Ultra HD release in August

It Follows receiving Limited Edition 4K Ultra HD release in August
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Stacked: Autumn/Winter 2020 | Haute Macabre

Darkly was an illuminating, insightful read that gave me pause with every sentence. Part personal memoir, part cultural critique, part valuable history lesson, Taylor meditates on the Black experience and gothic culture through a collection of observations on music, film, art, philosophy, architecture, decay, and violence– and through these observations invites us to more closely analyze and question the aesthetics of those dark things we hold dear.
Something that struck me, in particular, is where Taylor asserts that: “goth is above all privileging the imagination over reason, choosing the fanciful over the pragmatic, forgoing restraint for excess,” and she further comments on the privilege of this frivolity and how this ostentatiousness is typically seen as a sentiment only for white people. That Blacks must be ever vigilant (due to the very justified paranoia that they can’t afford distraction) and therefore there’s this sense of gravitas or this sense of pride that they’re supposed to keep up and aren’t allowed strangeness or bizarreness. In this interview she brings up the phrase that gets tossed around, “What kind of White nonsense is that?” and further posits the often unasked question, that ”how is it that white people are allowed nonsense, but somehow Black people are not?”

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