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Jayro Bustamente’s War Crimes Film, ‘La Llorona’, Reckons with Crushing Guilt Bustament’s Efraín Ríos Montt-inspired La Llorona reimagines the Latin American folk tale of a woman mourning her children along the banks of the river where they drowned. La Llorona 6 August 2020 (US, Shudder)| 30 August 2019 (Venice Film Festival) War criminals tend to act frail when prosecuted for their atrocities. In Jayro Bustamente’s film, La Llorona ( The Weeping Woman), fictional General Enrique Monteverde (Julio Díaz) breaks into an explosive coughing fit when the guilty verdict is announced at his trial for leading a real-life genocidal campaign during Guatemala’s all-too-recent past. By casting himself as the victim, the moment is stripped from the jubilant, colorfully shrouded Maya Ixil women in the courtroom to see justice finally being served. ....
Scene from La Llarona, about a retired military commander facing charges of genocide and wide-scale violations of human rights. (Courtesy of Brigade Publicity) Where lies the horror? This is the question followers of the genre might ask as they view La Llorona, the latest work of Guatemalan filmmaker Jayro Bustamante. After all, the legend of La Llorona, the wandering spirit of a weeping mother who, out of desperation, drowned her children, is an enduring horror figure in Central American folklore. Her modern incarnation also haunted the recent flick The Curse of La Llorona (directed by Michael Chaves), a spinoff from the hugely popular The Conjuring horror franchise. ....
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Movie theaters are slowly reopening, but most of the new releases are headed to streaming services rather than the big screen. Whether you're staying at ....
Releases include Coming 2 America, My Salinger Year, Raya And The Last Dragon, and The Mauritanian 1 of 8 2 of 8 Our critics pick what’s new to streaming and VOD for the weekend of March 5, and list everything new to VOD and streaming platforms. Coming 2 America Coming To America was the Black Panther of its time. The blockbuster starring Eddie Murphy as an African prince hiding in Queens fell just behind Who Framed Roger Rabbit? in the competition for 1988’s box office crown. That was unheard for a movie with almost no white people. Murphy and his costar Arsenio Hall recently revealed that the only white person (Louise Anderson) in the otherwise all-Black cast was imposed upon them by Paramount Studios. ....