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James Cohan opens an exhibition of new work by Elias Sime

James Cohan opens an exhibition of new work by Elias Sime
TIGHTROPE: ECHO!?, 2021. Reclaimed electrical components on panel with two megaphones, 45 1/4 x 47 1/4 x 16 in. 114.9 x 120 x 40.6 cm.
NEW YORK, NY
.-James Cohan is presenting TIGHTROPE: ECHO!?, an exhibition of new work by Elias Sime, on view at 48 Walker Street from March 19 through April 24. This is Simes fourth solo exhibition at James Cohan. TIGHTROPE: ECHO!? is accompanied by an essay written by curator and anthropologist Meskerem Assegued, with whom Sime co-founded the Zoma Museum.
Elias Sime deftly weaves, layers and assembles materials into abstract compositions that suggest topography, figuration, and sublime color fields. The history of his materials hold meaning, as they are the backbone of all communication systems, whether they be telephone or computer. They suggest the tenuousness of our interconnected world, alluding to the frictions between tradition and progress, human contact and socia ....

United States , Israel General , North Carolina , Santa Monica Museum Of Art , University Of Florida , Cape Town , Western Cape , South Africa , North Dakota , Elias Sime , Addis Ababa , Meskerem Assegued , James Cohan , Tracyl Adler , Hamilton College , Dartmouth College , Harn Museum Of Art , Kemper Museum Of Contemporary Art , Norval Foundation , Virginia Museum Of Fine Arts , Detroit Institute Of Arts , Wellin Museum , Museum Of Art , Smithsonian National Museum Of African Art , Marilynn Thoma Foundation , Royal Ontario Museum ,

Robert Swain's scaled color studies for monumental series on view at David Richard Gallery

Robert Swain s scaled color studies for monumental series on view at David Richard Gallery
Installation: Robert Swain, Scaled Color Studies for Monumental Paintings: Selections From Iconic Series Since 1987. © Robert Swain, Courtesy David Richard Gallery, LLC.
NEW YORK, NY
.-David Richard Gallery is presenting a selection of smaller scaled studies created by Robert Swain to confirm the colors and their corresponding interactions prior to producing the much larger paintings. These are detailed studies for paintings from several different iconic series created by the artist from 1987 through 2020. They are prepared the same way as the larger paintings, with the same care and precision on the same supports (except for some earlier studies on Masonite panels) and the same paint as the larger counterparts. ....

New York , United States , Corcoran Gallery Of Art , District Of Columbia , France General , Mexico City , Distrito Federal , Bellas Artes , Rio De Janeiro , Estado Do Rio , Virginia Museum Of Fine Arts , Santa Monica , Denver Art Museum , Whitney Museum Of American Art , Metropolitan Museum Of Art , American University , Museum Of Modern Art , City Of , United Kingdom , Park Place , Criss Cross , Kynaston Mcshine , Rosanna Martinez , Robert Swain , Tony Smith , Eugene Goossen ,

Art Historian Darby English on Why the New Black Renaissance Might Actually Represent a Step Backwards

Recently, English shared with me his reflections on our current moment, how art has changed over the past several decades, and why generalizations of Black art are so problematic.
You are very keen on the problems of generalization within the art world with regards to how African American art is taught, critiqued, and discussed. What is your biggest problem with these generalizations? How, in your opinion, can historians work to remove and/or reduce their use of generalizing?
My issue with generalization is that it feels an irresponsible way to respond to art’s diversity and specificity. If you understand art as something different from yourself, as the work of another consciousness, then it is very hard to generalize about it. Art reflects the immense variation in the field of experience, offers us opportunities to explore and come to terms with that plenitude. Accounts of art that suppress variation, that are nonchalant about those precious opportunities, need to be re ....

United States , Thelma Golden , David Breslin Yale , Howardena Pindell , Shinique Smith , Folasade Ologundudu , Ken Hively Los Angeles , Jenniec Jones , Ben Davis , Hamza Walker , Studio Museum , Santa Monica Museum Of Art , Life Of Color University Chicago , University Of Chicago , University Of Chicago Quantrell Award For Excellence , Studio Museum In Harlem , Black History , Race Terror , African American , Carl Darling Buck Professor , Art History , Quantrell Award , Undergraduate Teaching , Total Darkness , Charlotte Barat , David Breslin ,

10 Famous Filming Locations from Steve Martin's 'L.A. Story'

Harris: And when the weather dropped down to 58 degrees
this weekend, how did you cope?
Man: I just made sure all the windows were shut.
Harris: And what about your pets? Were they outside? What happened?
Man: Well, the cats were out till around ten. When it got a little too cold for ‘em, they came in.
Harris (to camera): The cats were out until around ten, but it got a little
too cold them and they came in. Well, that’s how L.A. coped with that surprise low of 58 degrees
that turned the weekend into a real weenie shrinker. ....

United States , United Kingdom , France General , City Of , Sarah Jessica Parker , Joe Pesci , Santa Monica , Joel Silver , Christian Slater , Santa Barbara , Roland Richard , Trudi Marilu Henner , Jared Cowan , Dan Melnick , Harrisk Telemacher , Harry Zell , Steve Martin , Cronk Venice Kinesis , Dana Carvey , Temple Grandin , Harry Zell John Lithgow , Palos Verdes , Hollywood Riviera , John Lithgow , Hollywood Riviera Harris , Beverly Hills ,

Parrasch Heijnen opens an exhibition of new works by Xylor Jane

Parrasch Heijnen opens an exhibition of new works by Xylor Jane
Installation view.
LOS ANGELES, CA
.-Parrasch Heijnen is presenting Back Rub / Foot Rub, an exhibition of new works by American artist Xylor Jane (b.1963, Long Beach, CA). This is the gallerys second solo exhibition with the artist.
Janes exploration of unique phenomena found in numbers and patterns produces delicately layered tessellations that achieve mesmerizingly intricate precision. The artists paintings on panel reflect a controlled form of chaos utilizing ideas similar to that of pointillismweight is added in the density of marks, culminating in a complexly resolved image. The labyrinthine forms are highly evolved constructions utilizing numerical systems sectioned within each panel. Jane either methodically plans out each panel beforehand or begins with problematic compositions that resolve through her experimental process. ....

New York , United States , San Francisco Art Institute , Long Beach , France General , Santa Monica Museum Of Art , Santa Monica , Los Angeles , Almine Rech , Ken Price , Reggio Emilia , Collezione Maramotti , Xylor Jane , Parrasch Heijnen , Justice Ruth Bader Ginsburg , Los Angeles Times , New York Times , Art Forum , University Museum Of Contemporary Art , Back Rub , Foot Rub , Order Magic Square , Sync Swim , Prime Palindromes , Moon Dragon , Geometric Cup ,