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For Etel Adnan, a show in Turkey is a symbolic homecoming


Showing work in Turkey is a personal affair for Etel Adnan: a homecoming of sorts. Of her childhood, the Beirut-born painter – also a poet, tapestry designer, novelist, teacher of aesthetics and librettist – has said: ‘We saw ourselves as an Ottoman family.’ Adnan’s grandfather was a Turkish soldier. Her Damascus-born father, Assaf Kadri, was governor of Smyrna under Ottoman rule. At the Istanbul Biennial in 2015 Adnan exhibited
Family Memoirs on the End of the Ottoman Empire (2015), a handwritten text in the form of an accordion-like folding notebook, or ‘leporello’, which makes reference to the Armenian genocide, in which she fears her father, being an Ottoman officer, took part. Adnan ends her essay by inviting Turkey to consider its past and ‘face the future with more serenity’. Other than that exhibit, Adnan’s work has not previously been shown in Turkey (though fans of her poetry abound in Istanbul). ‘Impossible Homecoming’, an exhibition at the ....

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James Mollison: Playground


ISBN: 9781597113076
Press
The photos recall the scenes of fun, embarrassment, relaxation, disappointment and anxiety that plague the playground for a growing brain. Although, in retrospect, the notion of playtime tends to acquire a rose-colored glow, Mollison reminds us of the intensity and calamity that often occurred between classes. The photographer set up his camera during school breaks, capturing multiple frames and then collapsing them into a single composite image, in which a constructed
play narrative is created. –
Huffington Post
The images are stunning in their color and size, and use socio-economic, cultural and political elements as backdrops. –
Wired
His images capture the similarities of youthful play across social boundaries and national borders, but also the deep divides of class and privilege that are often put in place long before we’re old enough to understand their implications. – ....

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Yinka Shonibare, an art icon with a sardonic twist


Yinka Shonibare CBE, RA
Photo: James Mollison
Last month, figures from across the international art world appeared on screen at the Whitechapel Gallery’s virtual gala to celebrate Yinka Shonibare CBE (RA), their designated “art icon” for 2021. The “i-word” can have cringeworthy connotations, but in this case, no one felt it was too hyperbolic a handle for this much-loved pioneering artist, who for more than three decades, has used his multifarious art to address the vexed legacy of colonialism, a quest that has never been more relevant than in the current moment. Shonibare is also a shining example of philanthropy, funding ambitious, creative residency projects in both London and Lagos, and now, as the recently appointed coordinator of the Royal Academy’s Summer Exhibition, he is set to shake up that most traditional bastion of white Western art traditions. ....

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