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50 years of Open Veins of Latin America: “a book to understand life and the world” 28.04.2021 - Brasil de Fato - Pressenza London Open Veins of Latin America, Galeano’s first success, reaches 50 years of publication - Reprodução Eduardo Galeano’s work celebrates half a century shedding light on the realities of Latin American peoples Michele de Mello April may be seen as a month of mourning, as every April 13th since 2015 marks another year since Eduardo Galeano’s departure. The Uruguayan journalist and writer of 33 books passed away six years ago of lung cancer. However, as Galeano himself wrote, life is made of “breath and despair” and April is also the month we celebrate the 50 years of ....
21 March 2019: Emblazoned on the wall of Spain’s National Drama Centre is Boa Mistura’s painting of an Eduardo Galeano quote from The Open Veins of Latin America: “We are what we do to change what we are.” (Photograph by David Silverman/ Getty Images) Considered a literary giant of Latin America’s Left, Eduardo Galeano was a novelist and journalist who wrote extensively about oppression and resistance in Latin America. In 1973, after a coup in Uruguay, Galeano was imprisoned and later went into exile in Argentina. When that country fell to a coup, his name was added to the death squad lists and he was forced to flee to Spain. He returned to Montevideo in 1985 and died there on 13 April 2015. ....
Desafío Candente (“Incandescent Defiance”), is an epic set of jazz and spoken word inspired by Las Venas Abiertas de Latinoamérica (“The Open Veins of Latin America”), an iconic series of historical essays by Uruguayan author and poet Eduardo Galeano. The Chicago-based drummer and composer invited more than 30 musicians and speakers from 11 countries to appear on the recording, in addition to his usual sextet: double bassist Kitt Lyles, pianist Joaquín García, reedist Artie Black, trumpeter Drew Hansen, trombonist Euan Edmonds, and guitarist Matt Gold. The 14 tracks on Desafío Candente address milestones in the sprawling unfolding of forces that have shaped Latin America colonialism, slavery, imperialism, neoliberalism, and revolution. The tracks are presented as chapters; each opens with an incisive spoken-word segment in Spanish, Tzotzil, or Nahuatl (subtitled in English in the accompanying videos), then segues into cinematic, muscular music that invites r ....