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Over 41 issues, Harriet Beecher Stowe’s novel Uncle Tom s Cabin was published as a serial in the abolitionist newspaper The National Era, beginning on June 5, 1851. At first, few readers followed the story, but its audience steadily grew as the drama unfolded. “Wherever I went among the friends of the Era, I found Uncle Tom’s Cabin a theme for admiring remark,” journalist and social critic Grace Greenwood wrote in a travelogue published in the Era. “[E]verywhere I went, I saw it read with pleasant smiles and irrepressible tears.’” The story was discussed in other abolitionist publications, such as Frederick Douglass’s newspaper ....
How the camera confronted slavery â and still does By Mark Feeney Globe Staff,Updated December 30, 2020, 2:02 p.m. Email to a Friend Carrie Mae Weems, While Sitting Upon the Ruins of Your Remains, I Pondered the Course of History (2016-17), from To Make Their Own Way in the World: The Enduring Legacy of the Zealy Daguerreotypes (Aperture/Peabody Museum Press, 2020).Courtesy the artist and Jack Shainman Gallery, New York The course of history didnât change in 1839, with the invention of photography. What did change was our collective relationship to history. Camera-captured images altered the publicâs understanding of events â or, at the very least, made it harder to ignore them. The novelist Wright Morris, who was also a very good photographer, once asked a deeply provocative question: If there had been someone with a camera when Christ arrived at Golgotha, how would that have changed our understanding of events on that particular hill on th ....